A Chordal Concept for Jazz Guitar (Revised Edition) Cover Image

A Chordal Concept for Jazz Guitar (Revised Edition): Guitar Book

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A Chordal Concept for Jazz Guitar (Revised Edition) Cover Image

A Chordal Concept for Jazz Guitar (Revised Edition): Guitar Book

By Peter O'Mara

Item: 01-ADV10028

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Description
The idea behind this book is to provide the progressive guitarist with a comprehensive overview of chordal structures on the guitar fingerboard. Starting with triads, then working through 7th and 9th chords and further extensions, chord substitution relationships and practical examples over standard chord progression, the book presents a chordal concept based on logic rather than just memorized shapes, making it easier for today's guitarists to understand the complex chordal structures used in contemporary jazz.

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Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892212-54-6
ISBN13: 978-3-892212-54-6
UPC: 805095100280
SKU: 01-ADV10028

More about this title

About the Author: Peter O'Mara

Peter O'Mara is a guitarist and educator with deep roots in jazz pedagogy. His work centers on demystifying the fingerboard for players who want to move beyond memorized shapes and understand the underlying logic of jazz harmony.

Why we love this

This book refuses to treat chords as isolated patterns. O'Mara builds understanding progressively from triads upward, grounding each new concept in the logic of how chords function and relate to one another. Your students will finally grasp why certain substitutions work, not just which fingerings to use.

What to expect

The book unfolds like a conversation with someone who has spent years figuring out why certain voicings work. It's methodical and logical, but never dry, each new concept builds naturally on what came before, creating the kind of clarity that makes improvisation feel possible.

Who it's for

Guitarists with foundational knowledge who are ready to understand jazz harmony rather than just memorize voicings. This works well for students transitioning from classical or pop styles into jazz, or any guitarist who has felt limited by a shape-based approach.

How to get the most out of it

  • Work through the triadic foundation thoroughly before moving to 7th chords. A guitarist who truly understands three-note shapes will learn extensions and substitutions far more quickly.
  • Test yourself on chord substitution relationships by playing the same progression multiple ways. This active experimentation is where the book's logic clicks into place.
  • Apply the concepts to tunes you're already playing. Hook the new material directly to real changes from standards or contemporary repertoire.

How to use it

Assign this as a standalone study or anchor it to your jazz ensemble repertoire. Students working through it will bring more thoughtful voicing choices to rehearsals and will ask smarter questions about what they're playing.

Skills your students will build

  • Recognizing and voicing major, minor, and dominant seventh triads across the fingerboard
  • Understanding chord extensions (9ths, 11ths, 13ths) and their function in jazz contexts
  • Applying chord substitution relationships (tritone, relative minor, modal interchange) to standard progressions
  • Reading and executing complex jazz voicings from lead sheets
  • Analyzing and reharmonizing chord changes using logical principles rather than memorized patterns

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