A Chinese Festival, Volume 2 Cover Image

A Chinese Festival, Volume 2: Piano Book

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A Chinese Festival, Volume 2 Cover Image

A Chinese Festival, Volume 2: Piano Book

Sixteen Pieces in Saibei Folk Style

By An-Lun Huang / ed. Alton Chan

Level: Late Intermediate

Item: 00-ELM02011

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Description
Here's another great volume of original music by Chinese composer An-Lun Huang. Editor Alton Chan has provided careful fingering with the student in mind, and also brief descriptions about each piece in the preface of the book. Interesting, programmatic titles have inspired beautiful music offering images of the Far East. Beautiful new music for your studio and recital programs.

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Additional Details
Series: Belwin Edition
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7579-9458-X
ISBN13: 978-0-7579-9458-6
UPC: 654979038993
SKU: 00-ELM02011

More about this title

About the Composer: An-Lun Huang

An-Lun Huang is a Chinese composer whose work bridges traditional Eastern musical sensibilities with contemporary compositional techniques. His pieces often draw inspiration from Chinese cultural imagery and festivals, translating visual and ceremonial richness into pianistic language that speaks to both student performers and recital audiences.

Why we love this

Huang's Volume 2 collection succeeds because it avoids the trap of mere exoticism. Each piece has genuine musical substance beneath its evocative title; students aren't playing pretty window dressing but rather encountering thoughtful compositional ideas that demand real pianistic engagement. The programmatic approach gives late-intermediate players a narrative anchor for interpretation without dictating every expressive choice.

What to expect

These pieces invite you into landscapes painted with color and movement. Some passages shimmer with delicate detail, while others pulse with ceremonial energy. The music respects the piano's lyrical voice while capturing the texture and atmosphere of Far Eastern culture.

Who it's for

Late-intermediate piano students ready to move beyond purely technical exercises into repertoire with genuine artistic substance. Teachers seeking recital material that balances accessibility with musical sophistication will find reliable, engaging pieces here.

How to get the most out of it

  • Study the preface descriptions before diving into the score. Understanding what each piece depicts will inform your phrasing and dynamic shaping naturally, rather than imposing arbitrary expression marks.
  • Pay close attention to Alton Chan's fingering suggestions, particularly in passages that shift between hand positions. The editorial work is designed to support efficient movement at this level.
  • Shape phrase contours with the cultural imagery in mind. Many pieces benefit from slightly broader rubato in lyrical sections and cleaner articulation in rhythmic passages that evoke festival energy.

How to use it

Program individual pieces from this collection in student recitals where you want to showcase both technical competence and musical maturity. Volume 2 works equally well as standalone recital selections or as part of a themed concert exploring non-Western music traditions.

Skills your students will build

  • Pedal control in sustained, impressionistic passages
  • Rhythmic precision in syncopated and folk-inspired sections
  • Dynamic shaping and tonal color differentiation at the late-intermediate level
  • Interpretation of program music and translating imagery into musical choices
  • Finger independence and hand coordination across extended passages

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