A Child is Born (arr. Hans Reintjes) Sheet Music Preview

A Child is Born (arr. Hans Reintjes): SSAA Choral Octavo

As performed by Thad Jones / Arranged by Hans Reintjes

Item: 35-DS00481459

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Additional Details
Publisher: Hal Leonard
Page Count: 98
SKU: 35-DS00481459

More about this title

About the Artist: Thad Jones

Thad Jones stands as one of jazz's most inventive voices, a trumpeter and composer who shaped big band writing from the 1950s onward. His compositional style blends sophisticated harmonic language with accessibility, creating works that challenge musicians while remaining deeply musical. Jones's arrangements and compositions have influenced generations of jazz educators and continue to appear in educational settings worldwide.

Why we love this

Hans Reintjes brings fresh harmonic color to this carol without losing its essential warmth. The SSAA voicing opens the piece to more choirs while maintaining the intimacy that makes this arrangement special. You'll find the writing sits comfortably for singers while offering enough sophistication to keep mature choirs engaged.

What to expect

The arrangement unfolds with understated elegance, allowing quiet moments to resonate before gentle harmonic shifts surprise and delight. There's a conversational quality here, as though the carol is being discovered anew through jazz harmony and voice leading that feels both natural and artful.

Who it's for

This arrangement works for intermediate to advanced SSAA choirs seeking a sophisticated take on a beloved carol. Holiday concerts programming both traditional and jazz-influenced repertoire will find this fills that bridge perfectly.

How to get the most out of it

  • Balance the inner voices in the chord clusters; the arrangement's richness depends on hearing all four parts clearly rather than letting sopranos dominate.
  • Approach the harmonic rhythm with flexibility. These arrangements benefit from slight rubato that lets the harmony breathe rather than strict metronomic precision.
  • Shape phrases by thinking about text and melodic contour rather than bar lines. The natural phrasing often crosses barlines, which requires attention during rehearsal.

How to use it

Consider this for the second half of your holiday concert, after you've established the traditional sound. It pairs beautifully with spirituals, folk song arrangements, or other jazz-influenced choral work, creating a cohesive programming statement about how carols can live in multiple musical languages.

Skills your students will build

  • Voice leading in extended harmony (seventh chords, altered progressions)
  • Balancing four independent lines in close voicing
  • Singing jazz inflections and phrasing within a classical choral context
  • Blend and intonation adjustment for jazz-influenced harmonic movement

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