A Catalonian Christmas Carol Cover Image

A Catalonian Christmas Carol: Concert Band Conductor Score

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A Catalonian Christmas Carol Cover Image

A Catalonian Christmas Carol: Concert Band Conductor Score

El Noi de la Mare

Traditional Spanish Carol / arr. David Marlatt

Grade: 3

Item: 81-CB11206S

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Description
This traditional folk song from Catalonia (a region in Spain) has been regularly sung during the Christmas season all over the world. There are also numerous instrumental versions, including notable ones for solo guitar that are very popular. This arrangement begins like the guitar versions---simple, light, and clean. It grows to be more full and sonorous than a guitar ever could, before ending, as it began---peacefully. (2:45)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 16
ISBN10: 1-55473-756-7
ISBN13: 978-1-55473-756-7
UPC: 685462017577
SKU: 81-CB11206S

More about this title

Why we love this

Marlatt's approach honors the source material while building orchestration strategically. He starts spare and guitar-like, then allows the band's color and weight to transform the melody naturally, creating genuine architecture rather than simply layering parts. The result gives your ensemble a piece that feels both intimate and expansive without losing its folk character.

What to expect

The piece unfolds like watching candlelight brighten and dim. It opens transparent and gentle, almost confiding. The middle builds with a fullness that feels earned, sonorous and warm without ever becoming heavy. Then it settles back into stillness, leaving a sense of quiet completion.

Who it's for

Band directors at the Grade 3 level who want seasonal repertoire with genuine musical substance. This works equally well for groups balancing concert programming with holiday obligations, as it satisfies both musical and thematic needs without compromise.

How to get the most out of it

  • Begin with crystalline articulation and minimal vibrato in the opening solo passages. The simplicity of those first statements sets the emotional stage for everything that follows.
  • Shape the dynamic arc deliberately across the middle section. Marlatt writes the growth gradually, so resist the urge to jump to full volume. Let the accretion of voices do the work.
  • Balance the return to the peaceful ending carefully. The instrumentation lightens again, but the players should maintain the warmth they've built, not retreat into thinness.

How to use it

Place this as an intermission opener or as the heart of a winter concert program where you want to shift the mood. At under three minutes, it also works as an effective closer if you want to send your audience out reflectively. Consider pairing it with other global or sacred seasonal music to deepen the programming theme.

Skills your students will build

  • Ensemble balance and blend across changing orchestrations
  • Controlled dynamic shaping and graduated crescendos
  • Sustained note quality and tone production in exposed sections
  • Stylistic sensitivity to folk idiom and arrangement intent

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