A Carol Festival: 2-Part/SSA Choral Octavo
Featuring: Deck the Hall / O Little Town of Bethlehem / Angels We Have Heard on High / We Three Kings
Arr. Carl Strommen
Item: 00-PO-0004478
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About the Arranger: Carl Strommen

Carl Strommen stands among the most recorded composer-arrangers working across multiple genres, from concert band and orchestra to jazz ensemble and choral literature. His music appears regularly in performance halls, broadcast media, and film. Strommen's work has earned him the ASCAP Standard Writers Award annually, reflecting the scope and consistent quality of his output.
A product of the City College of New York, Strommen maintains ties to higher education as an adjunct professor of orchestration and composition at Long Island University's C.W. Post Campus. He divides his time between Long Island and the Rocky Mountains, where he spends significant time with family in Denver and Boulder.
Why we love this
Strommen knows exactly how to balance accessibility with musical substance. Four beloved carols woven together as a cohesive medley means your singers get genuine musical material without the complexity that derails holiday rehearsals, and your accompanist gets satisfying keyboard writing that supports rather than undercuts the voices. The optional brass parts offer a graceful way to enhance the sound if you have players available, but they're truly optional, which respects the reality of what choirs can pull together in December.
What to expect
Four timeless carols stream together with natural momentum, each one recognizable yet integrated into something fresh and contemporary in arrangement. The textures shift between the melodies, supported by singing lines in the keyboard part that give the whole piece a sense of purpose and motion, even at moderate tempos.
Who it's for
This octavo serves middle school, high school, and adult choirs seeking efficient seasonal repertoire that doesn't compromise musicality. If you work with singers across a range of experience levels, the 2-Part/SSA voicing and manageable ranges keep everyone engaged and successful.
How to get the most out of it
- Balance the flute and trumpet parts carefully in rehearsal; they enhance the texture but shouldn't overshadow the choral lines. Use the recorded accompaniment as a rehearsal aid to lock the medley's transitions, which move between familiar melodies.
- Work the key relationships between carols as distinct moments rather than rushing through them. Each carol deserves a breath before the next one begins, even in this compact four-minute arc.
- The accessible ranges Strommen provides mean your singers can focus on communication rather than survival. Encourage expressive phrasing and clear diction to let the familiar tunes shine.
How to use it
Slot this into a holiday concert as a centerpiece that bridges the gap between classical and contemporary choral approaches. At four minutes, it anchors a section of seasonal music without consuming rehearsal resources or concert time; you could pair it with a single carol or a brief instrumental piece and build a satisfying Christmas set.
Skills your students will build
- Sight-reading melodic lines familiar from tradition but presented in fresh harmonic contexts
- Managing tempo and tone across medley transitions
- Balancing unison or 2-part textures with optional harmonic material
- Clear diction and phrasing in arranged rather than original material