A Cappella: Choral Book

This resource compiles institutional knowledge from the architects of modern a cappella rather than offering another trendy guide. Sharon, Spalding, and McDonald have built successful ensembles, run competitions, produced television, and arranged hundreds of songs; their combined perspective gives directors a roadmap grounded in what actually works at every level of the hobby, from garage rehearsals to international stages.

Moving beyond "fun covers" into the artistry, strategy, and discipline that separate casual a cappella from ensembles that command attention. It feels like gaining access to the thinking of people who built an entire musical ecosystem from scratch.

Directors launching or developing a cappella programs at any level, from high school through professional ensemble. Singers who want to understand the craft behind the arrangements they perform and take on leadership roles in their groups.

• Study the arranging section early so your ensemble understands why certain voice parts sit where they do; good arrangements serve the song rather than showcase individual singers.
• Record rehearsals frequently and listen back to assess blend and balance without the distraction of singing; this accelerates improvement in ways live feedback alone cannot.
• Build your audition and recruitment strategies around the advice in 'Getting the Band Together'; chemistry and work ethic matter more than individual vocal prowess.
• Reference the technology section when selecting microphones and rehearsal tools; the right equipment removes barriers between your arrangement and the listener's ear.

Treat this as a season-long reference rather than a single read. New directors should work through it before the year starts; return to specific sections (arranging, technology, promotion) as your program's needs evolve. Use passages from the book in sectional rehearsals to frame why your arrangement choices matter.

• Arranging for voices (voice leading, balance, blend techniques)
• Vocal percussion and beatboxing fundamentals
• Microphone technique and stage presence in a cappella contexts
• Reading and interpreting contemporary a cappella arrangements
• Understanding intonation without instrumental anchors
• Leadership and ensemble building in student-directed groups
• Audio production basics for recording and mixing vocals