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A Brief History of Creation: Choral Works (inc. Oratorios)

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A Brief History of Creation Cover Image

A Brief History of Creation: Choral Works (inc. Oratorios)

for Children's Voices and Orchestra

By Jonathan Dove and Alasdair Middleton

Item: 98-EP72785A

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From the composer:

How did it all begin? And what happened next?

I found myself pondering these questions in an art gallery in Bremen, in a James Turrell installation that carved through three storeys of the gallery.  Looking down from the top floor through great circles of colour-changing light to the distant sparkling points in a dark ellipse on the ground floor, I felt that I was looking back in time to the origins of the universe – and I started to hear children’s voices in my mind’s ear, accompanied by twinkling metal percussion.

It occurred to me that the beginning of our world was a good story to be sung by children, especially the unique Hallé Children’s Choir, and accompanied by the magnificent Hallé Orchestra.

Haydn’s Creation immediately comes to mind as a precedent, but that is a setting and elaboration of the Book of Genesis.  I thought we should tell the modern version of our story, and be as scientifically accurate as possible.

That’s easier said than done!  For a start, it’s hard to find a modern account of creation that is anything like as compact as the one in Genesis.  I talked about it with my regular collaborator, Alasdair Middleton.  Neither of us could remember being taught anything about the Big Bang or Evolution at school, although I had certainly spent many happy hours making papier-mâché dinosaurs.  So the first thing we had to do was a lot of research – reading books for grown-ups, books for children, looking at charts and diagrams and watching films.  There was a wonderful moment, reading Adam Rutherford’s The Origin of Life, when I had the glorious feeling I understood everything – but that quickly evaporated as soon as I put the book down.

Scientific ideas seem to date very quickly, so this account of the beginning of our world is necessarily provisional.  It’s also a bit arbitrary, with enormous gaps in the story: we decided just to include some bits we thought it would be fun to sing about.

We begin nearly fourteen billion years ago, with the events that lead to the formation of the first Stars and galaxies.  Then, perhaps nine billion years later, Earth is formed, covered by a vast ocean of magma.  Earth develops an atmosphere, including Rain.  After only a few hundred million years, the very first, minutest form of life begins somewhere in the Ocean, and reproduces and develops and evolves over the next few billion years – while supercontinents assemble, break apart and reassemble – eventually producing creatures with eyes, brains, skeletons, until the appearance of the Shark some four hundred and fifty million years ago.  (This familiar and fascinating animal was actually on earth before the dinosaurs.)

Around this time, life begins to crawl Out of the Ocean and onto the land.  Somewhere, a creature takes the first breath of air.  Plants spread, and Trees reach up into the sky.  Dinosaurs start to appear, and rule the earth for over a hundred and fifty million years, until being wiped out, possibly by an asteroid.  The Birds remain as their descendants.

An astonishing array of animals evolve, and some, having learned to walk and breathe on land, go back to live in the water, like the hippopotamus.  Whales Return to the Sea.  Twenty-five million years later, the first true Elephants emerge.  By then, Monkeys already exist, although they have yet to evolve into  the great apes.  Finally, som

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 92
ISBN10: 0-57-701134-0
ISBN13: 979-0-5770-1134-9
SKU: 98-EP72785A

More about this title

About the Composer: Jonathan Dove

Jonathan Dove is a British composer whose output spans opera, orchestral work, and choral music written for educational and professional ensembles alike. His gift for accessible, dramatically engaging composition has made his work a staple in schools and concert halls throughout the UK and beyond. Dove's collaborations with children's choirs and orchestras have shaped much of his recent creative output, combining scientific curiosity with musical storytelling.

Why we love this

Dove and librettist Alasdair Middleton have created something genuinely rare: a scientifically grounded creation narrative that speaks to young singers without condescension or oversimplification. The orchestration pairs children's voices with shimmering percussion and the Hallé Orchestra, creating moments of real wonder that anchor complex ideas about the Big Bang and evolution in vivid musical imagery. Directors will appreciate writing that respects both the intelligence of young performers and the rigor of modern cosmology.

What to expect

The work opens with hushed, almost ethereal children's voices floating above twinkling percussion, evoking the moment before creation. As the narrative unfolds through Big Bang physics and evolutionary time, the music shifts between moments of luminous beauty and driving, rhythmic passages that convey cosmic forces at work. There is genuine drama here alongside moments of playfulness that keep young singers engaged with material that could easily overwhelm them.

Who it's for

This work is designed for children's choirs performing with orchestral accompaniment, particularly ensembles with access to professional or semi-professional orchestras. It suits advanced youth choirs capable of handling complex rhythms, ensemble precision, and the intellectual engagement required by a scientifically informed narrative. Music directors seeking repertoire that challenges young singers while celebrating wonder and discovery will find it exceptional.

How to get the most out of it

  • Balance the children's choir against full orchestra by using the recorded accompaniment to establish the orchestral foundation in early rehearsals, then gradually build ensemble independence.
  • Pay close attention to the text painting around scientific concepts; Dove's musical choices often clarify meaning before singers fully grasp abstract terminology.
  • Attend to the metal percussion parts as essential color, not decoration. These shimmer and spark throughout and define the sonic world of the piece.
  • Give singers time to absorb the libretto's scientific language in spoken rehearsals before adding music. Understanding what they're singing about deepens musicality.

How to use it

This substantial choral work functions as a concert centerpiece rather than an opening or closing piece, earning its own first half or standing as the culminating work of an evening. It pairs well with shorter contemporary choral works or orchestral interludes that extend the theme of creation and discovery. Consider programming it for a spring concert or special educational event where the dual audience of families and educators can fully appreciate both its musical craft and its pedagogical ambition.

Skills your students will build

  • Singing against complex orchestral accompaniment with rhythmic independence
  • Sustaining focus and musicality through extended narrative forms
  • Interpreting text that blends scientific language with poetic expression
  • Understanding how musical color and instrumentation convey abstract concepts
  • Ensemble precision in passages with intricate rhythmic figures and meter changes

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