A Baroque Tryptich Cover Image

A Baroque Tryptich: Brass Quartet Score & Parts

$20.00 USD
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A Baroque Tryptich Cover Image

A Baroque Tryptich: Brass Quartet Score & Parts

Arr. Donald Coakley

Level: Medium-Difficult

Item: 81-BQ41738

$20.00
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Description
This trio of short Baroque transcriptions from various composers include "Canzona" by Antonio Mortaro, "Toccata" by Alessandro Scarlatti, and "Dialogo" by Nicolas de Grigny. They could be played as a suite or individually.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-446-1
ISBN13: 978-1-77157-446-4
UPC: 685462024476
SKU: 81-BQ41738
Instrumentation: Brass Quartet

More about this title

Why we love this

Coakley's transcriptions unlock three essential Baroque masterworks for brass players without requiring string sections or period instruments. The medium-difficult level demands real musical maturity while remaining accessible to working brass quartets, making this a genuine addition to a genre that often leans toward lighter repertoire.

What to expect

These three works radiate the intellectual clarity and elegant restraint of the Baroque: ornamental without excess, contrapuntal without chaos. Each movement offers a distinct character, from the stately ceremonialism of a canzona to the virtuosic sparkle of a toccata to the intimate dialogue of a duet.

Who it's for

Advanced high school brass quartets and college-level ensembles ready for rewarding chamber music that sits between transcription and original composition. Directors seeking concert or contest material that demonstrates musical sophistication and Baroque understanding without requiring specialized period performance training.

How to get the most out of it

  • Shape the melodic lines with period-appropriate phrasing: think of each work as vocal music translated to brass, with clear cadences and breathing points that reflect the original composers' intentions.
  • Balance the quartet texture carefully in "Canzona," where contrapuntal clarity matters as much as blend. Each voice must sing independently without overwhelming the others.
  • Apply consistent articulation language across all three movements to unify the suite sonically, even though the original composers wrote in different styles.
  • Record multiple run-throughs to identify which movement best showcases your quartet's strengths; this allows flexibility in which pieces to perform in any given setting.

How to use it

Program all three as a unified suite to show breadth and stylistic range, or select individual movements as contrasting pieces on a recital anchored elsewhere. The medium-difficult rating makes this strong material for chamber competitions or festival showcases where judges expect both technical skill and interpretive maturity.

Skills your students will build

  • Baroque phrasing and cadential architecture in a chamber context
  • Independent contrapuntal voice leading while maintaining ensemble blend
  • Stylistic differentiation between canzona, toccata, and dialogue forms
  • Balance and transparency in four-part brass texture
  • Expressive control at medium-difficult technical demands

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