à 5 for Flute (dbl. Picc.), Clarinet (dbl. Bass Clar.), Violin, Cello and Piano Cover Image

à 5 for Flute (dbl. Picc.), Clarinet (dbl. Bass Clar.), Violin, Cello and Piano: Chamber Quintet

$99.00 USD
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à 5 for Flute (dbl. Picc.), Clarinet (dbl. Bass Clar.), Violin, Cello and Piano Cover Image

à 5 for Flute (dbl. Picc.), Clarinet (dbl. Bass Clar.), Violin, Cello and Piano: Chamber Quintet

PCCS

By Fabián Panisello

Item: 98-EP14326

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 128
ISBN10: 0-01-413190-0
ISBN13: 979-0-0141-3190-6
SKU: 98-EP14326

More about this title

Why we love this

The instrumentation alone sets this work apart from standard chamber repertoire. Panisello writes idiomatically for a mixed ensemble that demands real musical maturity from each player while creating textures that feel both contemporary and deeply thoughtful.

What to expect

Intricate and modernist, yet never cold. The interplay between woodwinds, strings, and piano creates a constantly shifting harmonic environment that rewards close listening. The doublings add orchestral color while maintaining chamber intimacy.

Who it's for

Advanced chamber ensembles with flexible woodwind and string players who can handle doubling. This work suits university chamber programs, professional new music ensembles, and serious community groups looking for repertoire that challenges each voice equally.

How to get the most out of it

  • Balance the flute and clarinet as equal partners in the foreground; their doublings (piccolo and bass clarinet) expand the color palette without overshadowing the core melodic material.
  • Use the piano part as harmonic and rhythmic anchor without letting it dominate the strings; the quintet functions as a true ensemble rather than a keyboard-led group.
  • Establish clear rehearsal priorities around the violin and cello dialogue; these voices carry the expressive weight and need time to find their phrasing independence.
  • Mark all doublings and switching between primary and secondary instruments well in advance so players can prepare both the technical and tonal shifts required.

How to use it

Program this alongside other 20th and 21st century chamber works to anchor a contemporary music concert. Its 128 pages suggest a substantial work suitable as a centerpiece rather than an opener, pairing well with shorter modernist pieces or more lyrical chamber repertoire for contrast.

Skills your students will build

  • Doubling on secondary instruments (piccolo, bass clarinet) within a single performance
  • Blending woodwind and string timbres in close ensemble texture
  • Reading complex contemporary musical notation and rhythmic patterns
  • Balancing four independent melodic voices with piano accompaniment
  • Intonation coordination across mixed instrumental families

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