93 Million Miles (arr. Susan LaBarr): SATB Choral Octavo

Susan LaBarr's arrangement captures the song's warmth without oversimplifying it. The SATB voicing sits comfortably for mixed ensembles while preserving the melody's charm, and the 17 pages give you enough musical substance to make rehearsal time feel worthwhile rather than like a novelty.

Warm, optimistic, and grounded in genuine emotion. The arrangement wraps you in harmony that feels natural and unforced, creating a sense of shared affirmation rather than theatrical grandeur.

Choirs seeking contemporary repertoire that connects with audiences without requiring vocal gymnastics or heavy arrangement complexity. This works equally well for high school ensembles, college groups, and community choirs that want to program something current and meaningful.

• Emphasize the text over technical display. This song lives in sincerity, so encourage singers to connect with the meaning of each phrase rather than chase perfection in blend.
• Balance the lower voices carefully in passages where they provide harmonic foundation. They need presence without overshadowing Mraz's accessible, conversational vocal quality.
• Use light dynamics throughout. The song's power comes from intimacy, not volume, so resist the urge to build to a climactic belt.
• Lock the tempo early and keep it steady. The groove matters here, and slight hesitation or rubato can undermine the song's natural forward motion.

Slot this into spring concerts or end-of-year celebrations where you want to leave audiences feeling hopeful. It pairs well alongside both classic standards and other contemporary songs, serving as a bridge between traditional choral repertoire and what singers actually listen to.

• Singing in a contemporary pop style while maintaining choral blend
• Shaping phrases for meaning and emotion rather than technical perfection
• Managing ensemble rhythm in a groove-based arrangement
• Balancing solo-like melodic interest with four-part harmonic responsibility