80 Graded Studies for Violin, Book Two Cover Image

80 Graded Studies for Violin, Book Two: Violin Book

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80 Graded Studies for Violin, Book Two Cover Image

80 Graded Studies for Violin, Book Two: Violin Book

Selected and edited by Jessica O'Leary

Grade: 6--8

Item: 12-0571539785

$13.99
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Description
80 Graded Studies for Violin, Book 2 is a must-have resource for teachers and students. Studies are an established part of every instrumentalist's training. They place technical problems in musical contexts, and can be invaluable aids for development. This study book brings together a broad selection of repertoire including works by famous pedagogues such as Kreutzer, Mazas, and Sevcik, as well as folk songs, lesser-known gems, and contemporary studies.
The studies in Book 2 are arranged in order of increasing difficulty, according to a carefully planned technical progression from Grades 6--8.

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Additional Details
Series: Faber Edition: Graded Studies
Publisher: Faber Music
ISBN10: 0-571-53978-5
ISBN13: 978-0-571-53978-9
UPC: 9780571539789
SKU: 12-0571539785

More about this title

Why we love this

This collection draws from multiple pedagogical traditions, mixing canonical study composers like Kreutzer and Mazas with folk material and contemporary work. That breadth means students encounter different musical worlds while building technique, rather than grinding through etudes that sound like etudes. The graded progression is genuinely thoughtful, so you can assign studies that match exactly where each student is technically.

What to expect

A curated journey through centuries of violin writing. You move between the disciplined technical demands of Kreutzer and Sevcik, the lyrical character of folk melodies, and the voice of contemporary composers all working toward the same goal: refining your technique through actual music.

Who it's for

Violin students in Grades 6-8 who need focused technical work without sacrificing musicality. Teachers building a structured practice routine will find studies that address specific challenges while keeping students engaged through musical variety.

How to get the most out of it

  • Work through studies in the suggested order. The technical progression is intentional, so skipping ahead undermines the careful scaffolding of difficulty.
  • Use folk song arrangements as performance pieces for studio recitals or school concerts. They're musical enough to stand alone, not just exercises.
  • Schedule study work alongside solo repertoire. A study targeting double-stop clarity (for example) becomes immediately useful when applied to passages in the piece your student is learning.

How to use it

Assign studies as warm-up material before rehearsals or as weekly technical assignments that complement the solo pieces students are learning. Some of the more substantial studies work well as contributions to student recital programs, particularly the folk song arrangements, which give intermediate players polished performance opportunities.

Skills your students will build

  • Double-stop intonation and control
  • Shifting accuracy across positions
  • Bow control in varied articulations and dynamics
  • Reading different rhythmic patterns and meters
  • Vibrato consistency and musical expression
  • Scalar passages at increasing tempos

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