80 Chorale Preludes by German Masters of the 17th and 18th Centuries Cover Image

80 Chorale Preludes by German Masters of the 17th and 18th Centuries: Organ (Solo) Album

$52.00 USD
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80 Chorale Preludes by German Masters of the 17th and 18th Centuries Cover Image

80 Chorale Preludes by German Masters of the 17th and 18th Centuries: Organ (Solo) Album

Edited by Hermann Keller

Item: 98-EP4448

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Description

"This selection of shorter and easier chorale preludes is designed to supplement Karl Straube's '45 Chorale Preludes of the Old Masters' (EP3048), especially for use in church. We therefore selected only those pieces which can be used today - transposed, where necessary, to more suitable keys. In the case of important chorales, several treatments were included, sometimes in more than one key. Musical value was the primary factor of selection, but, where possible, preferance was given to compositions not generally available elsewhere. Of the 80 pieces, 24 require the pedals; 33 do not use them; in 23, they are optional. Thus the collection offers rich material for organists at all stages of development." (Hermann Keller, Stuttgart, September 1937)

Most do not require pedals; includes 18 suitable for Christmas

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-300-75517-1
ISBN13: 979-0-300-75517-5
UPC: 9790300755175
SKU: 98-EP4448

More about this title

About the Creator: Hermann Keller (editor)

Hermann Keller (1897, 1953) was a German organist, pedagogue, and editor whose work shaped twentieth-century organ practice. He served as professor at the Stuttgart Hochschule für Musik and directed the Hedwig-Willm-Schule, establishing himself as a champion of both historical performance and contemporary composition. Keller's editorial projects, including this collection and the foundational 45 Chorale Preludes of the Old Masters, reflect his conviction that the organ's greatest literature should remain accessible to working musicians and students, not sequestered in specialist archives.

This collection, prepared in Stuttgart in 1937, represents Keller's mature thinking about what chorale prelude repertoire serves the church and the practicing organist best. His selections prioritize musical substance alongside practical accessibility, a philosophy evident in his inclusion of multiple treatments of important chorales and his careful transposition work to bring pieces into performable keys.

Why we love this

Keller's curation cuts through the overwhelming landscape of chorale prelude literature by offering 80 pieces chosen strictly for their musical worth and present-day applicability. The flexible pedal requirements, 24 requiring pedals, 33 without, and 23 optional, mean a church organist or student can build genuine repertoire whether they have access to a full instrument or not. The inclusion of 18 pieces suited to Christmas programming alone makes this a practical resource for seasonal planning.

What to expect

These chorale preludes move with the gravity and clarity of their era without sacrificing musical individuality. Each setting respects the chorale melody while offering harmonic exploration, contrapuntal interplay, or textural invention that rewards repeated hearings. The collection balances formality with intimacy, the kind of music that shapes worship while remaining deeply satisfying to perform.

Who it's for

Church organists seeking repertoire that functions in actual worship while remaining engaging to play and study. Advanced students preparing for church positions, as well as experienced players building a library of practical, musically substantial material. Organists without access to a full pedal division will find more than half the collection immediately usable.

How to get the most out of it

  • Approach the non-pedal versions as primary texts rather than compromised arrangements. Many of these pieces achieve their effect through manual work alone, and treating them as complete statements respects the original composers' intentions.
  • When optional pedal indications appear, experiment with both approaches before settling on one for performance. The difference in registration balance and harmonic clarity will guide your choice.
  • Use the multiple settings of familiar chorales as a study in compositional variety. Playing two or three treatments of the same tune in succession reveals how different composers solved identical textual constraints.
  • Select pieces by liturgical need rather than difficulty. A shorter prelude suited to the day's chorale can serve the church better than a longer work chosen only for technical display.

How to use it

Use seasonal selections, especially the 18 Christmas pieces, to anchor your church calendar with prepared, stylistically coherent repertoire. Assign non-pedal versions to intermediate students as bridges toward the full literature. In recital or service contexts, program multiple treatments of a single chorale to highlight compositional ingenuity across centuries.

Skills your students will build

  • Reading baroque and early classical organ score layouts with varying pedal requirements
  • Performing chorale melody with harmonic and contrapuntal accompaniment
  • Adapting to different keyboard registrations and manual couplings
  • Understanding chorale prelude form and its liturgical function
  • Building fluency in transposed keys while maintaining stylistic integrity

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