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8 Duos on Early American Jazz Tunes: 2 Saxophones Score

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8 Duos on Early American Jazz Tunes: 2 Saxophones Score

For 2 Saxophones

By Mike Curtis

Item: 01-ADV7012

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Description
These well-loved tunes have been around for a long time. Perhaps the oldest is "Nobody Knows the Trouble I've Seen," a Negro spiritual that may have been written by slaves. Others come from the latter half of the 19th century and from the turn-of-the-century era that produced the precursors of jazz. The unifying factor in selecting these particular tunes, apart from the fact that every American seems to know them, is that they have been constantly recreated by jazz performers, from the birth of jazz to the present day. There is an immediate link from the improvisor to the mood, structure, or chord structure (sometimes all three!) of these tunes that allows for a free-flowing personal variation on these timeless themes.

Titles: Down By The Riverside * Little Brown Jug * Bill Bailey * Peg O' My Heart * A Tisket, A Tasket * Take Me Out To The Ballgame * Nobody Knows The Trouble I've Seen * Frankie & Johnny.

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Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892214-29-8
ISBN13: 978-3-892214-29-8
UPC: 805095070125
SKU: 01-ADV7012
Instrumentation: 2 Saxophones

More about this title

Why we love this

Curtis taps into material that sits deep in the American musical consciousness, then frames it for real ensemble work rather than historical documentation. The arrangements preserve the harmonic and melodic bones that made these tunes irresistible to early jazz musicians, giving players immediate access to authentic jazz language without requiring a rhythm section.

What to expect

American vernacular music with genuine historical weight, played at a tempo and with a voice that feels contemporary rather than antiquarian. These arrangements sit in the sweet spot between respectful homage and living jazz tradition, where you're not performing museum pieces but actively engaging with songs that shaped multiple generations of American music.

Who it's for

Intermediate to advanced alto and tenor saxophone players who want to explore the roots of jazz through ensemble reading. Duet partners in community bands, high school jazz combos, or adult amateur ensembles will find these accessible enough to move quickly but substantial enough to reward repeated performance.

How to get the most out of it

  • Approach these tunes as conversation starters between the two saxophone voices. The written melody is your foundation, but lean into areas where the harmonic structure invites personal phrasing or rhythmic displacement.
  • Ground the swing feel in the drummer's pulse from the start of rehearsal, even though you're reading from score. These tunes breathe best when both players feel a shared sense of time underneath the written parts.
  • Listen to recordings of these standards from the jazz tradition (Billie Holiday, Duke Ellington, Count Basie) before you lock into the Curtis arrangement. Knowing how the tune lives in jazz history informs every note you play.

How to use it

Program one or two of these duos as a bridge between your classical concert repertoire and a dedicated jazz set, or use them as standalone pairings in a concert focused on American musical roots. They work equally well as part of a jazz combo concert or woven into a community band's seasonal programming.

Skills your students will build

  • Reading and performing standard jazz chord progressions
  • Swing rhythm and phrasing across different note values
  • Melodic counterpoint and blend between two saxophone voices
  • Historical awareness of how early American vernacular music shaped jazz language
  • Rhythmic flexibility and the ability to phrase across bar lines

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