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6 Short Selected Pieces: Violin & Piano

$19.95 USD
$19.95 USD
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6 Short Selected Pieces Cover Image
6 Short Selected Pieces: Violin & Piano

6 Short Selected Pieces: Violin & Piano

By Max Reger

Item: 98-EP9105
$19.95
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Description

6 Short Selected Pieces for violin and piano, written by German composer, Max Reger and edited by Ulfert Thiemann.  

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-01-410513-6
ISBN13: 979-0-01410-513-6
UPC: 0
SKU: 98-EP9105

More about this title

About the Composer: Max Reger

Max Reger (1873-1916) was a German composer, pianist, and conductor whose prolific output spanned every major genre except opera. His violin writing combines the Romantic tradition with contrapuntal rigor and harmonic sophistication, demanding both technical facility and musical maturity from performers. Reger's chamber works remain essential repertoire for violinists seeking music that rewards deep engagement with texture, form, and emotional nuance.

Why we love this

Reger's short pieces offer violinists exactly what ensemble teaching needs: substantial musical content in accessible packages. Each piece expands the student's harmonic vocabulary and interpretive range without requiring operatic or virtuosic demands, making this collection ideal for advancing intermediate players who are ready for real Romantic repertoire.

What to expect

Intimate and introspective despite their formal sophistication. These pieces breathe with Romantic lyricism while their harmonic language suggests the modernist stirrings of Reger's era, creating music that feels both familiar and subtly unsettling.

Who it's for

Advanced intermediate to early advanced violinists preparing repertoire for competitions, auditions, or recitals. Collaborative pianists will find these pieces rewarding material for studio work and student partnerships.

How to get the most out of it

  • Shape phrases with the piano as a true partner. Reger wrote these pieces for duo collaboration, not violin showcase; listen actively to the accompaniment and adjust your rubato accordingly.
  • Pay close attention to harmonic rhythm in slower passages. Reger's chromatic voice-leading can obscure the underlying pulse, so anchor yourself to structural downbeats rather than surface melody.
  • Balance sustained vibrato in lyrical sections with clarity in contrapuntal moments. When voices interweave, let your tone vary in intensity to highlight the dialogue.
  • Work the piano part separately if you accompany yourself. Understanding the harmonic underpinning will deepen your interpretive choices and prevent rhythmic drift.

How to use it

Nestle these pieces into recitals alongside sonatas by Brahms or Franck, where they will feel at home stylistically. A single piece works well as an encore or as part of a themed concert exploring early twentieth-century chamber writing.

Skills your students will build

  • Reading and interpreting chromatic harmony and altered chords
  • Collaborative listening and ensemble communication with piano
  • Sustaining long lyrical lines with harmonic awareness
  • Navigating formal structures without obvious thematic landmarks
  • Balancing Romantic expression with contrapuntal clarity

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