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6 Divertissements Op. 68: Flute/Piccolo (Solo)

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6 Divertissements Op. 68 Cover Image

6 Divertissements Op. 68: Flute/Piccolo (Solo)

By Friedrich Kuhlau / ed. Paul Taffanel

Item: 98-EP8546

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 32
ISBN10: 0-01-406822-2
ISBN13: 979-0-0140-6822-6
SKU: 98-EP8546

More about this title

About the Composer: Friedrich Kuhlau

Friedrich Kuhlau (1786, 1835) was a Danish-German composer who shaped the flute repertoire more than any of his contemporaries. His prolific output for the instrument, including numerous sonatas, concertos, and chamber works, established him as the leading flute composer of the early 19th century, and his writing remains foundational to flute pedagogy and performance today.

Kuhlau's music balances technical brilliance with genuine lyricism. He understood the flute's expressive range intimately and wrote idiomatically for the instrument across all registers, creating works that challenge advancing students while remaining musically substantial and deeply satisfying to perform.

Why we love this

These six divertissements offer exactly what advancing flute students need: engaging, well-proportioned works that demand solid technique without requiring the virtuosic stamina of a full concerto. Kuhlau's voice is unmistakably his own here, combining Romantic melody with Classical clarity, and the set gives you flexibility to assign individual pieces or program them as a complete suite.

What to expect

These pieces have the lightness and elegance of salon music, with moments of genuine warmth. Kuhlau's melodies sing naturally under the fingers, supported by harmonies that are sophisticated without being heavy or overly chromatic. The overall effect is refined and buoyant.

Who it's for

Upper-intermediate and advanced flute students ready for repertoire beyond elementary method books but not yet prepared for the demands of a full concerto. Solo performers seeking recital material that pairs well with other Romantic-era flute works.

How to get the most out of it

  • Phrase through Kuhlau's longer melodic lines by listening for the arc of tension and release rather than breaking at every rest; the music breathes in full breaths, not small gasps.
  • Balance ornaments with the surrounding line; trills and turns should enhance the melody, not interrupt it.
  • Attend to dynamic shape in the divertissements' simpler sections, which can sound static if played at one volume level throughout.

How to use it

Include individual divertissements as opening or closing pieces in student recitals, or program them alongside works by other early Romantic flute composers to highlight the period's particular voice. The collection also works well as an intermediate repertoire text during studio lessons when students need substantial material but aren't yet ready for concertos.

Skills your students will build

  • Phrasing long melodic lines with architectural control
  • Executing Baroque ornaments (trills, turns, mordents) idiomatically
  • Managing register changes smoothly across the flute's range
  • Interpreting Classical articulation markings in a Romantic context
  • Playing with stylistic clarity without sacrificing warmth

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