5 Finger Christmas Fun Cover Image

5 Finger Christmas Fun: Piano Book

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5 Finger Christmas Fun Cover Image

5 Finger Christmas Fun: Piano Book

11 Delightful Melodies Arranged for Piano with Optional Duet Accompaniments

Arranged by Tom Gerou

Level: Five Finger / Elementary

Item: 00-30902

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Description
These 11 Christmas favorites are arranged in traditional five-finger style, with the melody split between the hands and without key signatures. Starting hand positions are illustrated above each piece. Fingerings that are outside the noted positions and those indicating a shift in hand position are circled for easy identification. All of the melodic arrangements have optional duet accompaniments created to achieve a fuller, richer musical experience. Titles: All I Want for Christmas Is My Two Front Teeth * Deck the Halls * Frosty the Snowman * Jingle Bell Rock * Jingle Bells * Jolly Old Saint Nicholas * A Marshmallow World * O Christmas Tree * Santa Claus Is Comin' to Town * Toyland * Up on the Housetop. 32 pages.

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Additional Details
Series: 5 Finger
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-5551-8
ISBN13: 978-0-7390-5551-9
UPC: 038081334899
SKU: 00-30902

More about this title

About the Arranger: Tom Gerou

Tom Gerou

Tom Gerou has published over 160 works for music education and performance, establishing himself as a prolific voice in accessible piano pedagogy. His contributions span reference texts (Essential Dictionary of Music Notation, Essential Dictionary of Orchestration) and extensive arrangement catalogs featured in Alfred's Basic Piano Library series. He holds degrees in composition from the University of Southern California and Yale University, and his original compositions have earned recognition including two Los Angeles Drama Critics Circle Awards, a Morton Gould Young Composer Award, and commissions from major music education organizations.

Gerou's arrangements are recognized fixtures in piano studios nationwide, prized for their clarity and musicality at elementary levels. He has conducted workshops internationally across North America, Australia, Asia, and the Pacific region, sharing his approach to making standard repertoire accessible to young pianists.

Why we love this

These arrangements respect the genuine constraints of five-finger playing while delivering actual musical satisfaction. The circled fingerings and illustrated hand positions remove guesswork, and the optional duet accompaniments transform what could feel like a solitary exercise into genuine ensemble music where students hear themselves as part of something larger.

What to expect

Familiar holiday warmth rendered simple and playable. These arrangements honor the melody everyone knows while adding gentle hand coordination and the satisfying thickness of accompanied sound. Playing them feels like opening a music box tuned exactly right for young hands.

Who it's for

Beginning pianists in Grades 1-3 who are ready to move beyond single-note melodies but need clear visual scaffolding and manageable technical constraints. This book works equally well for private studio lessons, group classes, and holiday recital preparation where you need reliable, charming material.

How to get the most out of it

  • Encourage students to play through the duet accompaniment part (or record it) before attempting the solo line. Hearing the full texture first builds confidence and helps them understand where their melody sits in the overall sound.
  • Isolate any circled fingerings in advance during practice. These moments represent hand shifts or extensions beyond the five-finger position, so working them separately prevents frustration during performance.
  • Have students identify the starting hand position at the top of each piece before playing. Five seconds of positioning awareness prevents fumbling and keeps momentum clean from the opening note.

How to use it

Program individual selections into holiday recitals throughout December, or use multiple pieces as a themed recital set. The duet format also works beautifully for student-teacher performances or as background music during school holiday events, giving young pianists a genuine role in ensemble contexts.

Skills your students will build

  • Reading music without key signatures
  • Coordinating melody between both hands
  • Executing hand position shifts marked by circled fingerings
  • Playing rhythmically alongside a duet accompaniment
  • Building finger independence within a limited range

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