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4 Posthumous Compositions: Violin, Solo with Piano, Book (LUDWIGMASTERS)

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4 Posthumous Compositions Cover Image
4 Posthumous Compositions: Violin, Solo with Piano, Book (LUDWIGMASTERS)

4 Posthumous Compositions: Violin, Solo with Piano, Book (LUDWIGMASTERS)

By Niccolo Paganini, ed./arr. by Georg Kinsky/ Fritz Rothschild

Item: 36-M284291
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Very few of Niccolò Paganini's original compositions were published in his lifetime as most were written for his own use when concertizing. Following his death, many works were discovered in manuscript form and remained unknown until 1911, when they were acquired for Wilhelm Heyer's Museum of Musical Historics in Cologne. The 4 POSTHUMOUS COMPOSITIONS in this collection edited by Georg Kinsky and Fritz Rothschild have been prepared for violin with piano accompaniment. Extensive notes on the history of each work and nature of the edits are included in the Preface. Included: 1. Movimento Perpetuo (originally for Violin and Orchestra); 2. Variations on a Theme by Joseph Weigl (originally for Violin and Orchestra); 3. Cantabile e Valzer, Op. 19/MS 45 (originally for Violin and Guitar); 4. Cantabile, Op. 19/MS 109 (written for Violin and Piano). Reprint edition.

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Additional Details
Series: Master String Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810519-3
ISBN13: 979-889-810-5198
UPC: 605258806215
SKU: 36-M284291
Instrumentation: Violin and Piano - no scans

More about this title

About the Composer: Niccolo Paganini

Niccolò Paganini (1782, 1840) revolutionized violin technique and pushed the instrument to its technical limits in ways that astounded his contemporaries. His virtuosity was legendary, and he guarded most of his compositions closely, keeping them as vehicles for his own extraordinary performances rather than sharing them for publication. Many of his works existed only in manuscript, performed by Paganini himself but locked away from the wider musical world.

After his death, these hidden compositions gradually resurfaced. The four works in this collection remained unknown until the early twentieth century, when they were discovered among his papers and acquired for a major German music museum. Their recovery offers modern violinists direct access to music written by one of history's most technically advanced composers, performed not for broad audiences initially but for the composer's own exacting standards.

Why we love this

These four works reveal Paganini's compositional voice outside the spotlight of his famous caprices. The editorial work by Kinsky and Rothschild grounds each piece in its historical context, and the arrangement for violin and piano makes these discoveries accessible to contemporary performers without compromising their original character. Programming them offers audiences a glimpse into what Paganini himself performed in concert.

What to expect

These pieces shift between brilliant passagework and tender reflection, capturing the dual nature of Paganini's artistry. The violin part sings with natural grace even in its most technical moments, while the piano partnership anchors each work in classical proportion.

Who it's for

Violinists seeking substantial repertoire that bridges concert hall virtuosity and chamber music intimacy. Advanced students and professionals benefit equally from encountering Paganini's voice outside the caprice tradition.

How to get the most out of it

  • Study the preface before diving into performance. The editors document the original scoring and the nature of each adaptation, which informs interpretive choices about texture and balance.
  • Approach the Movimento Perpetuo with attention to bow control and evenness. Sustained momentum requires clear communication between violin and piano about phrasing, not just speed.
  • Balance lyrical phrasing in the cantabile movements against the accompanying figuration. The piano writing supports the melodic line without overwhelming it.

How to use it

Pair these works on recitals exploring 19th-century violin literature or construct a program centered on newly discovered repertoire. Any of the four pieces works effectively as an encore or as a substantive program opener.

Skills your students will build

  • Collaboration between soloist and accompanist in managing phrase structure and textural balance
  • Interpretation of edited historical sources and understanding editorial practice
  • Technical facility spanning rapid passagework, sustained cantabile lines, and rhythmic vitality
  • Performance practice awareness specific to early 19th-century Italian violin writing

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