4 Minutes: Marching Band Conductor Score & Parts
As performed by Madonna / Arranged by Michael Brown
Grade: 3
Item: 35-PK00124125
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| 4 Minutes - Full Score | $6.00 | |
| 4 Minutes - Flute/Piccolo | $6.00 | |
| 4 Minutes - Bb Clarinet | $6.00 | |
| 4 Minutes - Eb Alto Sax | $6.00 | |
| 4 Minutes - Bb Tenor Sax | $6.00 | |
| 4 Minutes - Eb Baritone Sax | $6.00 | |
| 4 Minutes - 1st Bb Trumpet | $6.00 | |
| 4 Minutes - 2nd Bb Trumpet | $6.00 | |
| 4 Minutes - 3rd Bb Trumpet | $6.00 | |
| 4 Minutes - F Horn | $6.00 | |
| 4 Minutes - Bb Horn/Flugelhorn | $6.00 | |
| 4 Minutes - 1st Trombone | $6.00 | |
| 4 Minutes - 2nd Trombone | $6.00 | |
| 4 Minutes - Baritone B.C. | $6.00 | |
| 4 Minutes - Baritone T.C. | $6.00 | |
| 4 Minutes - Tuba | $6.00 | |
| 4 Minutes - Electric Bass | $6.00 | |
| 4 Minutes - Bells/Xylophone | $6.00 | |
| 4 Minutes - Snare Drum | $6.00 | |
| 4 Minutes - Cymbals | $6.00 | |
| 4 Minutes - Quad Toms | $6.00 | |
| 4 Minutes - Multiple Bass Drums | $6.00 | |
| 4 Minutes - Aux Percussion | $6.00 |
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Description
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More about this title
About the Artist: Madonna
Madonna emerged in the 1980s as a defining force in pop music, building a career on her ability to reinvent herself across decades while maintaining a sharp commercial instinct. Her influence on pop songwriting, production, and performance extends far beyond her own catalog; her work has shaped how contemporary artists approach rhythm, groove, and radio appeal.
Why we love this
Michael Brown captures the relentless energy of the original without losing the groove that made this track radio gold. At Grade 3, it gives marching ensembles a contemporary pop arrangement with real teeth, letting students experience how modern hits translate to the field.
What to expect
Propulsive and modern, with that characteristic pop production sheen translated to brass and percussion. The arrangement maintains the original's driving urgency while giving the marching band idiom room to breathe.
Who it's for
Marching bands wanting to connect with students through current pop music without compromising musicianship or ensemble discipline. This works especially well for programs building confidence in younger or intermediate ensembles.
How to get the most out of it
- Lock the groove early in rehearsal by isolating the rhythm section. This track lives and dies by pocket, so nail the snare, bass drum, and pit coordination before layering the rest.
- Balance the power in the melodic voices without letting them overshadow the propulsive foundation underneath. The arrangement pulls forward; resist the urge to drag.
- Pay attention to the dynamic contrast between sections. A track this driving needs peaks and valleys, or it flattens by the final chorus.
How to use it
Pair this with a traditional or classical opener to show the range of your ensemble's capabilities in a single program. It also serves as an accessible closer for community concerts where you want to end on high energy and familiar material.
Skills your students will build
- Locking rhythmic precision in syncopated pop grooves
- Balancing melodic clarity against rhythmic foundation
- Executing contemporary articulation and phrasing conventions
- Reading and performing parts that require tight section coordination