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32 Arrangements of Favorite Masterpieces: Piano Book

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32 Arrangements of Favorite Masterpieces: Piano Book

Selections from The Brandenburg Concertos, Eine kleine Nachtmusik, The Four Seasons, and More

Arranged by Fred Kern

Level: Intermediate

Item: 00-31939

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Description
This collection includes intermediate-level arrangements from some of the world's most treasured classical masterpieces. Includes selections from Brandenburg Concertos (J. S. Bach) * Themes from Water Music (George Frederic Handel) * Themes from "Polovtsian Dances," from the Opera Prince Igor (Alexander Porfirievich Borodin) * Albinoni for Piano (Tomaso Albinoni) * Selections from Eine kleine Nachtmusik (Wolfgang Amadeus Mozart) * selections from The Four Seasons "Le Quattro Stagioni" (Antonio Vivaldi).

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Additional Details
Series: Alfred's Classic Editions
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-5745-6
ISBN13: 978-0-7390-5745-2
UPC: 038081344263
SKU: 00-31939

More about this title

About the Arranger: Fred Kern

Fred Kern is a prolific arranger and composer whose work has shaped intermediate-level piano pedagogy for decades. His arrangements prioritize musical substance over technical simplification, giving students genuine encounters with masterworks rather than diluted versions.

Why we love this

Kern's selections span the Baroque through Romantic periods with real musical variety, so students don't face 80 pages of similar textures or moods. Each arrangement respects the original voice-leading and harmonic integrity while making the piece playable at intermediate level, which means your students hear real music, not scaffolding.

What to expect

Opening this book feels like stepping into a music history gallery without the velvet ropes. You're playing the memorable themes and passages that made these works famous, but in versions that let you hear and shape every voice, not just survive the top line.

Who it's for

Intermediate pianists who are ready to play recognizable concert repertoire but still need arrangements that keep technical demands focused on musical priorities rather than virtuosity. Teachers who want their students to experience substantial classical works without committing months to a single piece.

How to get the most out of it

  • Treat the baroque selections (Bach, Handel, Albinoni) with clear articulation and precise rhythmic control; these arrangements often preserve the original contrapuntal texture and benefit from separation between voices.
  • Shape phrases in the Romantic selections (Borodin, Vivaldi) with attention to harmonic momentum; the arrangements expand accompaniment patterns that can blur if pedal and tempo aren't balanced carefully.
  • Use the variety of keys and styles across the book as an opportunity to drill different technical challenges in context rather than in isolation, rotating through several pieces each week rather than mastering one before moving on.

How to use it

These arrangements work beautifully on recital programs, either as solo pieces or clustered thematically (a "Vivaldi evening" or "Baroque favorites" set). They're equally useful as repertoire for a technique unit, since each piece addresses specific intermediate challenges while delivering immediate musical reward.

Skills your students will build

  • Baroque articulation and voice independence in contrapuntal writing
  • Harmonic analysis and recognition of cadential patterns across multiple styles
  • Pedal control in arrangements with expanded accompaniment figures
  • Phrasing and musical shape in extended melodic lines
  • Sight-reading fluency across key signatures and time signatures

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