31'57.9864'' [for prepared piano] Cover Image

31'57.9864'' [for prepared piano]: Piano (Solo)

$39.95 USD
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31'57.9864'' [for prepared piano] Cover Image

31'57.9864'' [for prepared piano]: Piano (Solo)

By John Cage

Item: 98-EP6780

$39.95
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 32
ISBN10: 0-30-074532-X
ISBN13: 979-0-3007-4532-9
SKU: 98-EP6780

More about this title

About the Composer: John Cage

John Cage (1912, 1992) fundamentally expanded what music could be. His work with prepared piano, inserting objects between strings to transform the instrument's sound, opened entirely new sonic territories and challenged performers to think beyond conventional technique. Cage's obsession with time, silence, and indeterminacy made him one of the most influential composers of the 20th century, and his ideas continue to reshape how we think about composition, performance, and listening itself.

Why we love this

This is Cage at his most rigorous and meditative. The prepared piano writing asks performers to commit fully to his sonic vision while navigating the intellectual and physical precision the work demands. Programming a Cage prepared piano piece signals serious artistic intent and rewards audiences willing to listen on his terms.

What to expect

Meditative and otherworldly. The prepared piano creates a landscape of gamelan-like sonorities, metallic shimmer, and resonant textures that feel both percussive and sustained. Time moves according to Cage's strict temporal logic, creating an experience that's contemplative rather than virtuosic.

Who it's for

Advanced pianists with strong sight-reading skills and patience for detailed preparation work. This is ideal for performers studying experimental music, contemporary classical performance practice, or anyone exploring prepared piano as a serious instrument.

How to get the most out of it

  • Prepare the piano with meticulous care. Cage's notation depends on exact placement of preparations; even small variations shift the timbral palette. Document your setup so you can replicate it across performances.
  • Treat the score as a literal instruction set, not a starting point for interpretation. Cage's timing and dynamic markings are compositional choices, not suggestions.
  • Listen to recordings before performing, but use them as reference for the prepared piano's sound world rather than as a blueprint. Each piano prepares differently, and your instrument will have its own character.
  • Allow silence and space to breathe. Cage's use of time and rest is as compositional as his notes. Don't rush between sections.

How to use it

Include this in a contemporary or experimental music recital, or pair it with other prepared piano works to create a thematic program exploring the instrument's extended possibilities. It also works as a showcase piece in educational settings where students study 20th-century compositional innovation.

Skills your students will build

  • Reading and interpreting Cage's experimental notation systems
  • Preparing a piano accurately and consistently
  • Understanding rhythmic precision in metered experimental music
  • Listening and adjusting to non-traditional timbres and resonances
  • Interpreting graphic and text-based musical instructions

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