3 Romantic Pieces for Violin and Piano by Raff, Vieuxtemps and Wieniawski Cover Image

3 Romantic Pieces for Violin and Piano by Raff, Vieuxtemps and Wieniawski: Violin & Piano Album

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3 Romantic Pieces for Violin and Piano by Raff, Vieuxtemps and Wieniawski Cover Image

3 Romantic Pieces for Violin and Piano by Raff, Vieuxtemps and Wieniawski: Violin & Piano Album

Cavatina Op. 85 No. 3 (R.), Rêverie Op. 22 No. 3 (V.), Légende Op. 17 (W.)

Item: 98-EP3383

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 36
ISBN10: 0-57-708058-X
ISBN13: 979-0-5770-8058-1
SKU: 98-EP3383

More about this title

About the Creator

Joachim Raff (1822, 1882) was a Swiss composer whose prolific output spanned nearly every genre; his violin works balance technical display with genuine lyricism, reflecting the Romantic era's fascination with the instrument's singing voice. Henri Vieuxtemps (1820, 1881) established himself as one of Europe's most celebrated virtuoso violinists before devoting himself to composition, and his pieces showcase the crystalline elegance and structural refinement that defined his artistic philosophy. Henryk Wieniawski (1835, 1880) remains among the most performed Romantic violinists in the repertoire, and his compositions for his instrument combine virtuosic flair with deeply expressive melodic writing that influenced generations of string players.

Why we love this

This collection pairs three substantial yet approachable Romantic works that sit perfectly between early intermediate and advanced repertoire, giving violinists real concert pieces without overwhelming technical demands. The three composers represent distinctly different approaches to violin writing, so programming them together creates natural variety while maintaining stylistic coherence.

What to expect

Lyrical and expressive, with the warmth of the Romantic era balanced by the technical clarity these composers demanded of themselves. Each piece reveals its own character; you move between intimate songfulness and brilliant virtuosic display within a single album.

Who it's for

Intermediate to advanced violinists seeking substantial Romantic repertoire for recitals, competitions, or auditions. Pianists will also appreciate having three genuine partners rather than simplified accompaniments.

How to get the most out of it

  • Shape the long melodic lines with subtle dynamic contours rather than straight tone; Romantic style depends on phrase breathing even within sustained passages.
  • Coordinate carefully with your pianist during rehearsals on tempo flexibility; these pieces reward slight rubato, but only when both players move together.
  • Balance vibrato to match the emotional content of each phrase. Wieniawski's passages often benefit from warmer, wider vibrato than Vieuxtemps' more restrained approach.

How to use it

Consider programming one or two of these as standalone recital pieces rather than grouping all three together, since that lets you pair each with contrasting contemporary works or lighter character pieces. They also serve as strong audition repertoire when you want to demonstrate both technical facility and interpretive maturity.

Skills your students will build

  • Sustaining long Romantic phrases with natural phrasing and breathing
  • Coordinating rubato and tempo flexibility with piano accompaniment
  • Dynamic control across a wide range of expressive intensity
  • Reading and interpreting 19th-century performance practice markings
  • Building stamina for extended melodic passages

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