26 Exercises Op. 107 for Flute, Vol. 2 Cover Image

26 Exercises Op. 107 for Flute, Vol. 2: Flute/Piccolo Studies

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26 Exercises Op. 107 for Flute, Vol. 2 Cover Image

26 Exercises Op. 107 for Flute, Vol. 2: Flute/Piccolo Studies

Nos. 15-26 (Flat Keys)

By Anton Bernhard Fürstenau / ed. Werner Richter

Item: 98-EP5950B

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 32
ISBN10: 0-01-404247-9
ISBN13: 979-0-0140-4247-9
SKU: 98-EP5950B

More about this title

About the Composer: Anton Bernhard Fürstenau

Anton Bernhard Fürstenau (1792, 1870) was a German flutist and composer whose pedagogical works shaped flute instruction across Europe. He served as principal flutist at the Dresden court and composed extensively for his instrument, focusing on exercises and studies that balanced technical demands with musical substance.

Why we love this

Fürstenau's Op. 107 studies deserve a place in every flutist's development because they move beyond mechanical drilling into genuinely musical territory. These exercises build facility without sacrificing melodic integrity, making them more engaging to practice than typical technical work while addressing the specific challenges of the instrument.

What to expect

The studies unfold with an underlying elegance characteristic of 19th-century German pedagogy. There's a sense of purposeful progression, where each exercise builds specific facility while maintaining the singing quality that flute instruction demands.

Who it's for

This volume serves intermediate to advancing flutists seeking studies that develop fluency in a range of technical contexts without becoming tedious. It's equally valuable for flutists exploring piccolo work, as the exercises translate directly to the smaller instrument.

How to get the most out of it

  • Treat each exercise as a short etude rather than a warm-up. Aim for consistent tone color and phrase shape across all registers.
  • Pay attention to articulation patterns within each study; Fürstenau's writing often pairs technical passages with specific tonguing that shapes the overall character.
  • Apply the studies to contemporary repertoire you're working on by isolating similar technical figures from pieces and practicing them alongside the relevant exercise.

How to use it

Assign studies selectively during a season of technical work rather than prescribing them all at once. A flutist preparing for a Baroque concerto might benefit from specific exercises addressing articulation and evenness; someone transitioning to piccolo can use the piccolo studies to develop security in the upper register without the frustration of tackling new repertoire simultaneously.

Skills your students will build

  • Evenness and clarity across register breaks
  • Rapid scalar passages and arpeggiation
  • Articulation patterns in varied technical contexts
  • Staccato and legato definition
  • Facility on piccolo across multiple registers
  • Control in rapid note combinations and intervallic leaps

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