240 Double and Triple Tonguing Exercises Cover Image

240 Double and Triple Tonguing Exercises: Trumpet Book

$8.99 USD
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240 Double and Triple Tonguing Exercises Cover Image

240 Double and Triple Tonguing Exercises: Trumpet Book

By Victor V. Salvo

Item: 00-PROBK01091

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Description
The material in this book is presented as an introduction to the art of double and triple tonguing. The book is designed for the student who just beginning to double or triple tongue and contains enough material for at least two years work. Some students may take much more time, for the speed of progress will depend on the student's background, age and ability level. The range of this book is well within the ability level of young brass players. While this book is designed primarily for cornet, trumpet, and baritone players, it can also be used for trombone and french horn players. It can also be used with tuba players who can transpose from the treble clef.

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Additional Details
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7692-2591-8
ISBN13: 978-0-7692-2591-3
UPC: 029156040845
SKU: 00-PROBK01091

More about this title

Why we love this

This is a genuinely systematic approach to double and triple tonguing that respects the learning curve instead of rushing it. Salvo gives students enough exercises to work through the technique thoroughly over months or years, which is exactly what developing this skill requires. The range stays accessible for young players, so technique development never feels like a fight against the instrument.

What to expect

The satisfaction of discovering a new kind of articulation speed while keeping your tone intact. As you work through these exercises, you'll feel the tongue coordination become more automatic, eventually freeing you to focus on musicality rather than mechanics.

Who it's for

Trumpet players ready to add double and triple tonguing to their technical toolkit, particularly those in middle school through early high school who have solid single tonguing control. The book also serves cornet, baritone, trombone, and french horn players pursuing the same skill.

How to get the most out of it

  • Start with double tonguing at a slow tempo where you can articulate each syllable clearly. Speed follows accuracy; rushing the process will ingrain sloppy technique.
  • Experiment with tongue syllables (te-ka, du-gu, or others) to find what feels most natural and produces the clearest articulation for your embouchure.
  • Record yourself regularly to hear whether the notes are even in volume and attack. Uneven articulation is the first sign you need to slow down and rebuild the foundation.
  • Use the exercises in order rather than jumping around. Each set builds on patterns you've already mastered, so skipping ahead often creates gaps that show up later at higher tempos.

How to use it

Incorporate this into sectional rehearsals as supplementary technical work over the course of a full school year or longer. It pairs well with any standard band method book and doesn't require performance context; the work happens in practice rooms and sectionals until students are ready to showcase the technique in repertoire that calls for it.

Skills your students will build

  • Double tonguing articulation and coordination
  • Triple tonguing patterns and control
  • Tongue speed and independence from breath support
  • Articulation clarity at gradually increasing tempos
  • Stamina for rapid-fire articulation

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