2007 Greatest Pop and Movie Hits Cover Image

2007 Greatest Pop and Movie Hits: Piano Book

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2007 Greatest Pop and Movie Hits Cover Image

2007 Greatest Pop and Movie Hits: Piano Book

The Biggest Movies * The Greatest Artists

Arranged by Dan Coates

Level: Easy Piano

Item: 00-28286

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Description
Top songs from recent pop charts and movies arranged for Easy Piano include: Adelieland (from Happy Feet) * Billy's Theme * (from The Departed) * California (from "The O. C.," performed by Phantom Planet) * Can You Read My Mind? (from Superman Returns) * Chasing Cars (Snow Patrol) * Theme from Rocky(Gonna Fly Now) (from Rocky Balboa) * High (James Blunt) * I Believe in You (Celine Dion and Il Divo) * I Knew I Loved You (Celine Dion) * In Rosa Vernat Lilium (from The Nativity) * The James Bond Theme (from Casino Royale) * Love Will Always Win (Garth Brooks and Trisha Yearwood) * The Pink Panther * Silly Dreamer (from The Sweet Dreams Movie) * Some Hearts (Carrie Underwood) * Stranger in a Strange Land (Barbra Streisand ) * Superman Theme (from Superman Returns) * The Departed Tango (from The Departed) * Way Back Into Love (from Music and Lyrics). 64 pages.

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Additional Details
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-4831-7
ISBN13: 978-0-7390-4831-3
UPC: 038081308555
SKU: 00-28286

More about this title

About the Arranger: Dan Coates

Dan Coates

Dan Coates has been the go-to arranger for accessible piano versions of popular music since 1976, amassing over 4.4 million copies sold across his catalog. His arrangements consistently earn the respect of major composers and artists, John Williams, Burt Bacharach, and Elton John among them, who trust him to capture the heart of their original work while making it playable for students.

His output spans movie themes, Broadway standards, television scores, and chart-topping pop and rock hits, all reimagined for pianists at every level. Beyond arranging, Coates composes original student repertoire, making him a dual force in making music accessible without sacrificing musicality.

Why we love this

This collection captures what your students actually want to play, genuine hits from 2007 that span blockbuster movie soundtracks and radio staples. Coates balances authenticity with playability, so students hear themselves performing recognizable, satisfying arrangements rather than simplified sketches.

What to expect

Contemporary and approachable. These arrangements let you hear the melody clearly while maintaining enough harmonic color and rhythmic sophistication to feel genuinely satisfying. Whether you're playing the moody restraint of 'Chasing Cars' or the bombastic heroism of 'Superman Theme,' there's a real piece of music in your hands, not a reduction.

Who it's for

Piano students at the early intermediate level who need motivation and immediate gratification. Teachers looking for repertoire that bridges the gap between method books and more complex classical pieces will find enough variety here to keep ensemble interest alive.

How to get the most out of it

  • Listen to the original recordings before rehearsing. Students will feel the groove and phrasing much faster when they know what they're aiming for.
  • Break the rhythm section and melody into separate rehearsal passes, especially for pieces like 'Chasing Cars' where the accompaniment pattern drives the entire feel.
  • Emphasize dynamic shaping in the quieter moments. These pop arrangements often rely on restraint before building intensity, and that contrast makes performances memorable.
  • Address hand position early for pieces with wider left-hand spans. The movie themes especially ask for comfort across octaves.

How to use it

Build a winter concert around movie and pop themes, pairing these arrangements with orchestral or band versions for a multimedia showcase. Individual selections work well as warm-ups or fun interludes during rehearsals, keeping the energy high on long sectional days. Several pieces are strong enough for solo performances in spring recitals.

Skills your students will build

  • Reading and sustaining block chord patterns in the left hand
  • Balancing melody projection while maintaining steady accompaniment
  • Interpreting rhythmic subdivision in contemporary pop contexts
  • Managing dynamic contrast to shape shorter, radio-friendly song forms
  • Navigating wider hand spans and octave displacement in movie themes

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