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16 Moderately Challenging Jazz Solos: Tenor Sax Book & CD

$19.95 USD
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16 Moderately Challenging Jazz Solos Cover Image

16 Moderately Challenging Jazz Solos: Tenor Sax Book & CD

By Walt Weiskopf

Level: Intermediate

Item: 24-MCJS-TS

$19.95
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Description
From the popular performer and composer, here are 16 solos based on well-known standards designed to improve your time, melodic sense, and harmonic awareness. They sound like "real" solos because they were designed the way real soloists think and play. Chord changes are written above each measure, allowing instant analysis of how and why a particular lick or pattern sounds great. Tempos are moderate to moderate-fast, so they are very approachable for intermediate level players.

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Additional Details
Publisher: Jamey Aebersold Jazz
Page Count: 36
ISBN10: 1-56224-314-4
ISBN13: 978-1-56224-314-2
UPC: 635621501478
SKU: 24-MCJS-TS
Instrumentation: Tenor Sax

More about this title

About the Composer: Walt Weiskopf

Walt Weiskopf is a tenor saxophonist and composer whose career spans decades of performing, recording, and teaching. Known for his deep understanding of jazz language and improvisation, Weiskopf has built a reputation for creating educational material that reflects actual professional practice rather than oversimplified exercises.

Why we love this

These solos work because they sound like music, not etudes. Weiskopf writes the way working jazz musicians actually phrase and navigate changes, so students aren't learning patterns in a vacuum; they're absorbing the logic of how pros think. Having the changes written out above each measure turns every solo into an instant masterclass in why certain licks fit certain harmonic moments.

What to expect

Hearing these solos is like eavesdropping on experienced players thinking aloud. They have the conversational ease of someone who knows the language well, with enough melodic sophistication to catch your ear and make you want to learn them deeply.

Who it's for

Intermediate tenor saxophonists ready to move beyond simplified solo material and hear how real jazz players construct ideas over standard changes. These solos suit students who want to build practical harmonic awareness without getting lost in overly complex repertoire.

How to get the most out of it

  • Study the chord progression before trying to play the melody. Sing or play through just the changes first so your ear knows where the harmonic destinations are.
  • Lock into the recorded tempos early. These moderate speeds feel casual but still require solid time; resist the urge to rush through faster passages.
  • Analyze which licks appear over similar chord types across different solos. You'll start recognizing the vocabulary that professional soloists rely on in real gigs.

How to use it

Use these as the foundation of a small jazz performance or as rotating solos throughout the year in lessons and studio classes. They work equally well as improvisation studies or as prepared performance pieces for jazz concerts or recital series.

Skills your students will build

  • Harmonic analysis of chord progressions and how melody relates to underlying changes
  • Reading and internalizing jazz phrasing and articulation
  • Building a vocabulary of licks and patterns that work over common chord types
  • Developing steady time and rhythmic precision at moderate to fast tempos
  • Melodic construction and the logic behind how soloists navigate changes

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