12 Duos for 2 Horns K487 (496a) (Transcribed for 2 Violins) Cover Image

12 Duos for 2 Horns K487 (496a) (Transcribed for 2 Violins): Violin Duets

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12 Duos for 2 Horns K487 (496a) (Transcribed for 2 Violins) Cover Image

12 Duos for 2 Horns K487 (496a) (Transcribed for 2 Violins): Violin Duets

By Wolfgang Amadeus Mozart / arr. Irmgard Engels / ed. Irmgard Engels

Item: 98-EP4518

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Description
Originally written for horn duet (K487), Mozart himself made the transcription of these charming duos for two violins, perfect material for advancing early-years players. Irmgard Engels's edition for Edition Peters is designed for the practical musician with optimal notation layout (a single score may be used for performance).

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-300-75527-9
ISBN13: 979-0-300-75527-4
UPC: 9790300755274
SKU: 98-EP4518

More about this title

About the Composer: Wolfgang Amadeus Mozart

Mozart wrote across every major genre during his short life, and his chamber music reveals a composer who understood instrumental voices with surgical precision. The K487 duos emerged from his Vienna years, a period when he was composing at extraordinary depth for small ensembles. These pieces belong to a tradition of pedagogical yet sophisticated writing that never talks down to the player.

Mozart's gift for melody and balance made him the natural choice when composers needed to write for two equal voices. Unlike some duet literature that burdens one part while the other carries the tune, his duos demand real partnership. Every phrase matters; every line sings.

Why we love this

This collection sits in that rare pocket of duet repertoire where the writing is genuinely rewarding without being technically brutal. Irmgard Engels's edition for Edition Peters strips away the page-turning chaos many duet collections create, allowing both players to work from a single performance score. You get 12 complete studies in phrasing, balance, and intonation wrapped in music that never feels like an exercise.

What to expect

Elegant and conversational. These duos feel like two voices in natural dialogue, trading ideas back and forth without pretension. The writing is transparent enough that intonation problems become immediately audible, which means success feels earned.

Who it's for

String teachers looking for duet material that respects their advancing early-intermediate students. Players at this level need pieces that demand real musicianship but stay within comfortable technical range.

How to get the most out of it

  • Establish who leads in each phrase before rehearsal starts. Mozart's lines often trade responsibility mid-duo, and clarity here prevents both players from defaulting to the same dynamic weight.
  • Balance the outer registers carefully. Violins split between high and low positions need active listening to sit properly; a simple rule about 'second part plays softer' will flatten the sound.
  • Take time with the ornaments. Mozart's trills and turns are structural, not decorative, and rushing them obscures the harmonic intent.

How to use it

Slot a few of these into a chamber music recital or a student showcase concert. They also work beautifully as supplementary repertoire in the lesson studio for students who are still developing ensemble awareness. Since the set spans contrasting characters, you can program them individually throughout a season rather than as one block.

Skills your students will build

  • Balancing two independent melodic lines in real time
  • Shaping phrases without conductor guidance
  • Reading and executing Baroque-era ornaments accurately
  • Listening actively to adjust intonation in a two-voice texture
  • Managing shifts between leading and accompanying roles within single pieces

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