113 Exercises for Violoncello, Book 4 Cover Image

113 Exercises for Violoncello, Book 4: Cello (Solo) Studies

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113 Exercises for Violoncello, Book 4 Cover Image

113 Exercises for Violoncello, Book 4: Cello (Solo) Studies

Nos. 86-113

By Justus Johann Friedrich Dotzauer / ed. Johanns Klingenberg

Item: 98-EP5959

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Volume 4 of the celebrated 113 exercises for Violoncello by Justus Johann Friedrich Dotzauer contains exercises Nos. 86-113.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 68
ISBN10: 0-57-708707-X
ISBN13: 979-0-5770-8707-8
SKU: 98-EP5959

More about this title

About the Composer: Justus Johann Friedrich Dotzauer

Justus Johann Friedrich Dotzauer (1783-1860) was a German cellist and pedagogue whose influence on cello instruction extended far beyond his own era. He served as principal cellist at the Dresden court and composed extensively for his instrument, establishing himself as one of the most important cello pedagogues of the 19th century.

Dotzauer's 113 exercises represent a systematic approach to technical and musical development. Written over his long career, they progress logically through fundamental positions and bow techniques, making them an essential reference for cellists building solid foundational skills. His work remains central to cello curricula worldwide because it balances mechanical clarity with genuine musicality.

Why we love this

Book 4 represents a significant leap in technical demand, and Dotzauer's progressive design means students who've worked through the earlier volumes arrive here genuinely ready for the challenges ahead. These exercises develop facility and confidence in higher positions while maintaining the musical integrity that makes daily practice rewarding rather than tedious.

What to expect

These exercises demand precision and focus while rewarding thoughtful interpretation. The passages feel genuinely musical rather than mechanical, offering opportunities to hear how solid technique enables expressive playing. Working through them builds quiet confidence in the upper register.

Who it's for

Advanced intermediate and advanced cellists building secure command of positions above the fourth, along with cellists preparing for higher-level repertoire study. Private teachers use these exercises as scaffolding between foundational technique and full concert literature, and serious students benefit from the systematic progression Dotzauer provides.

How to get the most out of it

  • Treat each exercise as a small study in voice, not merely a technical drill. Shape phrases with clear direction and attend to how bow distribution supports musical intention.
  • Work with a metronome at various tempos, but begin slowly enough to focus on intonation accuracy in the upper positions where small adjustments matter greatly.
  • Record yourself regularly. Hearing your own playing reveals rhythmic inconsistencies and intonation drifts that feel invisible in real time.
  • Isolate the bow patterns that appear across multiple exercises. Once a pattern becomes fluent, the left-hand work becomes easier to address.

How to use it

Assign these as part of a structured technique curriculum rather than standalone performance pieces. They work best alongside repertoire study, reinforcing specific technical goals that an upcoming concerto or sonata demands. Use them consistently throughout a year of study to build the facility needed for ambitious concert programming.

Skills your students will build

  • Secure intonation in fifth through eighth positions
  • Smooth position shifts with minimal audible movement
  • Advanced bow control and articulation patterns
  • Comfort with wide interval jumps in the upper register
  • Reading fluency in complex rhythmic figures
  • Building endurance and left-hand strength

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