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10 Double Bass Quartets: Conductor Score & Parts

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10 Double Bass Quartets Cover Image

10 Double Bass Quartets: Conductor Score & Parts

By Michael Montgomery

Grade: 2

Item: 36-52743003

$17.95
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Description
Clever arrangements of familiar melodies for four double basses using thumb position and a myriad of harmonics. Selections by Beethoven, J.S. Bach, Clementi, Schumann, and Mozart. Included: 1. March in D Major, BWV 122 (Bach), 2. Minuet in F, K. 2 (Mozart), 3. The Merry Farmer (Schumann), 4. Ecossaise in G, WoO 23 (Beethoven), 5. Minuet in G, BWV 116 (Bach), 6. Minuet in g minor, BWV 115 (Bach), 7. Sonatina in G (Beethoven), 8. Minuet in G, BWV 114 (Bach), 9. Sonatina, Op. 36, No. 1 (Clementi), 10. Für Elise, WoO 59 (Beethoven).

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296279-2
ISBN13: 978-1-68-296279-4
UPC: 660355034961
SKU: 36-52743003
Instrumentation: Double Bass Quartet

More about this title

Why we love this

Montgomery has crafted arrangements that treat the double bass quartet as a genuine chamber ensemble, not a novelty. The use of thumb position and harmonics across all four parts means every player engages with advanced technique while still connecting to music they know, making this collection valuable for both developing and accomplished bass sections.

What to expect

Intimate and clever. These familiar melodies from Bach, Mozart, Beethoven, and others arrive through an unexpected sonic lens, with the four basses creating warm, resonant harmonies that would be impossible on a single instrument. There's playfulness in the arrangements, but also genuine musical substance.

Who it's for

Double bass players in high school and community ensembles who have developed facility with thumb position and are ready to explore chamber repertoire that demands musical independence. This collection works well for bass quartets preparing for festivals, sectional recitals, or ensemble showcases.

How to get the most out of it

  • Balance the harmonic textures carefully in rehearsal; mark which player carries the melody in each piece so the line stays audible across the shifting timbres of different harmonic registers.
  • Work through passages with harmonics systematically, establishing clear fingerings and bow placement before performing at tempo. The arranger uses a myriad of harmonic colors, which rewards precision but requires patience in preparation.
  • Lock in unison passages and rhythmic figures between first and second bass parts first, then layer in the inner voices; this foundation makes the harmonic writing sit cleanly.

How to use it

Perform one or two selections as a discrete chamber moment within a larger concert, or program several consecutive pieces to showcase the depth and range of double bass quartet literature. This collection is also ideal for a spring bass ensemble recital or a sectional performance at a band or orchestra concert.

Skills your students will build

  • Thumb position across multiple harmonic registers
  • Natural and artificial harmonics on the double bass
  • Chamber ensemble balance and voice independence
  • Reading conductor scores and coordinating as a quartet
  • Melodic interpretation and phrasing in ensemble context

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