1, 2, 3 Play! 2.0 Supplemental Cello Part Cover Image

1, 2, 3 Play! 2.0 Supplemental Cello Part: Cello Book

$9.95 USD
Sale price  $9.95 USD Regular price 
Skip to product information
1, 2, 3 Play! 2.0 Supplemental Cello Part Cover Image

1, 2, 3 Play! 2.0 Supplemental Cello Part: Cello Book

By Joanne Martin

Grade: 2

Item: 36-52793019

$9.95
Shipped

One moment…

Description
This collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument.

1, 2, 3 Play! 2.0 Supplemental Cello Part: Cello Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296040-4
ISBN13: 978-1-68-296040-0
UPC: 735816040154
SKU: 36-52793019
Instrumentation: String Duo & Ensemble, Collections

More about this title

About the Composer: Joanne Martin

Joanne Martin

Joanne Martin is a composer and educator with deep roots in both North American and European musical communities. A violist by training, she has performed with ensembles including the Winnipeg Symphony Orchestra and the Manitoba Chamber Orchestra, and maintains an active career as a performer across multiple string instruments. Her teaching expertise spans Suzuki violin and viola instruction at all levels, chamber music coaching, and orchestra direction, and she holds recognition as a Suzuki Teacher Trainer from both the Suzuki Association of the Americas and the European Suzuki Association.

Martin's compositions are known for flexible scoring that accommodates mixed ability levels and instrumentation. Her I Can Read Music series has become a foundational resource for beginning music literacy in Suzuki programs worldwide. She has also composed the Festive Strings, Folk String, ViolaFest, Trio Tapestry, and Playing with Style series, all of which prioritize accessible ensemble writing. In 2007, she received the American Suzuki Institute Suzuki Chair Award for her contributions to Talent Education, and she frequently appears as a guest clinician at workshops across North America, Australia, and Europe.

Why we love this

Martin understands what intermediate cellists need to play together without losing the joy of making music. The collection mixes styles and moods while staying accessible, so your students stay engaged rather than bored by endless repetition. Flexible scoring (one, two, or three players) means you can use these pieces whether you have a solo cellist or a full section.

What to expect

Fifteen small windows into different moods and musical worlds. You move from one style to another, each piece compact enough to learn quickly but shaped enough to feel like real music, not a drill. The variety keeps both player and listener attentive.

Who it's for

Cellists in Grade 2 who are ready to play beyond solo exercises and want experience in duet and small ensemble settings. Teachers seeking supplemental repertoire that bridges method book studies and performance opportunities, particularly those working with flexible group sizes or mixed-level classes.

How to get the most out of it

  • Balance the sound between cello and teacher accompaniment by positioning the teacher where you can hear both parts clearly during rehearsal.
  • When multiple cellists play together, have them mark entrances in pencil beforehand so no one misses a cue.
  • Encourage students to listen for style shifts between pieces; the variety in keys and moods is built in to develop adaptability.
  • Use the piano part as a model for phrasing if you're working without a teacher accompanist, so cellists hear the harmonic intent.

How to use it

Include individual pieces in student recitals or studio showcases to give cellists a sense of programming without requiring large ensemble coordination. Use pairs or trios for chamber music exploration within sectional rehearsals, or select a few pieces to anchor an informal concert celebrating string instruments across different levels.

Skills your students will build

  • Reading in multiple keys and meters
  • Listening and balancing within a duet or small ensemble
  • Stylistic awareness across varied musical contexts
  • Part independence while responding to accompaniment
  • Quick learning and preparation of shorter works

You May Also Like