Territory code: B32
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Lazy Afternoon (From "The Golden Apple"): Piano/Vocal/Chords -
Is It Really Me? (From "110 in the Shade"): Piano/Vocal/Chords -
Windflowers (From "the Golden Apple"): Piano/Vocal/Chords -
Where Do I Go (From "Hair"): Piano/Vocal/Chords -
A Little Bit in Love (From "Wonderful Town"): Piano/Vocal/Chords -
Wonderful, Wonderful Day (From "Seven Brides for Seven Brothers"): Piano/Vocal/Chords -
I Had Myself a True Love (From "St. Louis Woman"): Piano/Vocal/Chords -
Just Imagine (From "Good News"): Piano/Vocal/Chords -
If You Hadn't but You Did (From "Two on the Aisle"): Piano/Vocal/Chords -
Raunchy (From "110 in the Shade"): Piano/Vocal/Chords -
Don't Rain on My Parade (From "Funny Girl"): Piano/Vocal/Chords -
Love in a Home (From "Li'l Abner"): Piano/Vocal/Chords -
My Love Is on the Way (From "the Golden Apple"): Piano/Vocal/Chords -
A Brand New Day (Everybody Rejoice) (From "the Wiz"): Piano/Vocal/Chords -
Roxie (From "Chicago"): Piano/Vocal/Chords -
Gigi (From "Gigi"): Piano/Vocal/Chords -
Bless Yore Beautiful Hide (From "Seven Brides for Seven Brothers"): Piano/Vocal/Chords -
I Love My Wife (From "I Do, I Do"): Piano/Vocal/Chords -
Everything Old Is New Again (From "the Boy from Oz"): Piano/Vocal/Chords -
Everything's Coming up Roses (From "Gypsy"): Piano/Vocal/Chords -
If I Were King of the Forest (From "the Wizard of Oz"): Piano/Vocal/Chords -
Bewitched, Bothered and Bewildered (From "Pal Joey"): Piano/Vocal/Chords -
I Talk to the Trees (From "Paint Your Wagon"): Piano/Vocal/Chords -
Store-Bought Suit (From "The Golden Apple"): Piano/Vocal/Chords
About This Collection
Description
This collection centers on choral arrangements across all voicings and difficulty levels, with particularly strong offerings in contemporary pop and rock. Bill Withers' Lovely Day dominates across multiple voicing options (SATB divisi, SAB, and 2-Part), while Laufey Jónsdóttir's From the Start and Lin-Manuel Miranda's Found/Tonight have built steady adoption among teachers. You'll find nearly 1,200 choral secular titles here, plus marching band, concert band, and jazz ensemble music, with most arrangements available as PDF downloads and many supported by recorded accompaniments.
Highlights
Teachers keep returning to Bill Withers' Lovely Day in its various voicings, particularly the SATB divisi and SAB octavos. Laufey Jónsdóttir's From the Start works well across both SATB and SSA voicings. Kirby Shaw's Winter Wonderland and Jay Althouse's The Pink Panther are popular choices for mixed choirs, while George Gershwin's They Can't Take That Away from Me (arranged for SATB) maintains consistent classroom use.
Recently added
Practical Ear Training for Improvisers by David Kane arrived in April 2025 as a book resource for musicians developing listening and improvisation skills.
Composer & Author Spotlight
George Gershwin and Ira Gershwin have each contributed over 200 titles to this collection, spanning standards and theatrical arrangements. Their collaboration They Can't Take That Away from Me (SATB) remains one of the most widely adopted titles here.
Kirby Shaw brings a DMA in choral conducting from the University of Washington and has taught across 45 states and multiple countries. His arrangements balance musical substance with the kind of engaging, humor-infused approach that translates well in rehearsal. Winter Wonderland showcases his skill at making familiar material work for choirs at all levels.
Jay Althouse holds degrees in music education and choral composition from Indiana University of Pennsylvania and spent eight years in music publishing administration. His catalog of over 800 choral works spans all difficulty levels, with The Pink Panther demonstrating his gift for making popular music accessible to student singers.
Green Day's 378 titles in this collection reflect arrangements of their rock catalog. Good Riddance (Time of Your Life) in SATB voicing has found particular traction in graduation and end-of-year settings.