School Choral Digital Sheet Music Downloads
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Lucky Star: SATB Choral Octavo -
The Square Root of Possible: SATB Choral Octavo -
Crossing a Bridge: SATB Choral Octavo -
If I Can't Have You: SAB Choral Octavo -
Get Up, Get Down, Get Funky, Get Loose: SSA Choral Octavo -
Out Here on My Own (from the motion picture Fame): 3-Part Mixed Choral Octavo -
Don't Wanna Lose You: SATB Choral Octavo -
Don't Wanna Lose You: SAB Choral Octavo -
Fascinating Rhythm: SATB Choral Octavo 
Fascinating Rhythm: SATB Choral Octavo
Fascinating Rhythm: SATB Choral Octavo
By George Gershwin / arr. Mac Huff
Digital Download$2.25Sale price $2.25 Regular price -
Broken Wings: SSA Choral Octavo -
Love Is Here to Stay: TTBB divisi, a cappella Choral Octavo -
Me and My Broken Heart: SAB Choral Octavo -
Me and My Broken Heart: SATB Choral Octavo -
Right Now: SAB Choral Octavo -
Flip, Flop and Fly: SATB Choral Octavo -
I Run to You: The Hits of Lady Antebellum: SATB Choral Octavo -
I've Gotta Be Me: SAB Choral Octavo -
Dream with Me: 2-Part / SSA Choral Octavo -
Nice Work If You Can Get It: SSA Choral Octavo -
The Square Root of Possible: SATB Choral Octavo -
The Music of M-G-M (A Choral Medley): Choral Octavo Orchestration 
The Music of M-G-M (A Choral Medley): Choral Octavo Orchestration
The Music of M-G-M (A Choral Medley): Choral Octavo Orchestration
Arr. Greg Gilpin
Digital Download$100.00Sale price $100.00 Regular price -
Ia Ora! (Tahitian for "Hello"): 2-Part Choral Octavo -
A Pocketful of Rhymes: 2-Part Choral Octavo -
Children Are the Future of the World: 2-Part Choral Octavo
About This Collection
Description
This collection of 4,737 secular choral octavos spans every voicing and level, from unison to SATB, with substantial anchors in 2-part and SAB arrangements. Andy Beck's Carry the Light, Northern Lights, and The Moon have become standards in many choral programs, while Robert T. Gibson's Dance! and covers of contemporary favorites like Lovely Day (Bill Withers) and Time After Time (Rob Hyman) round out a catalog that leans heavily toward accessible, singable literature. Most titles include recorded accompaniments, and over 1,100 offerings work for concert or festival settings.
Highlights
Teachers return consistently to Andy Beck's 2-part work, particularly Carry the Light and Northern Lights, both built on clear harmonic progressions and memorable melodies that work across mixed-ability ensembles. Robert T. Gibson's Dance! exists in both 2-part and SATB versions and remains a favorite for groups seeking energy and accessibility in the same package. Bill Withers' Lovely Day (SATB divisi) and Rob Hyman's Time After Time round out the most-adopted titles, each offering different pedagogical angles on part-writing and contemporary repertoire.
Recently added
Recent additions include Laufey's Christmas Magic in both SAB and SATB voicings, Miley Cyrus' Dream as One (SAB and SATB), and two versions of Kenneth Gamble's Love Train (2-part and 3-part mixed), all published in May 2026.
Composer & Author Spotlight
Andy Beck is the Director of Choral Publications at Alfred Music and has written over 450 popular choral works currently in print, including the widely-adopted method books Sing at First Sight and Vocalize! His pieces like Carry the Light have proven endurance across skill levels and ensemble sizes, and his work as a guest conductor informs how his music sits in the voice. Jay Althouse brings dual credentials as a rights administrator and prolific composer with over 800 works in print. His Homeward Bound remains popular in school programs, and his education background from Indiana University of Pennsylvania anchors his understanding of what choral students need to sing.
Greg Gilpin is an ASCAP-award winning composer and conductor who has performed at Carnegie Hall, Lincoln Center, and the Sydney Opera House, bringing that performance experience directly into his arrangements. His Tongo demonstrates how world music can integrate into school choral curricula without sacrificing singability. Sally K. Albrecht has been an annual ASCAP recipient since 1987 and is particularly known for her integration of movement into choral work, a distinctive angle for programs looking to engage students beyond the score.