Mock Morris for Band (Simpson ed.): Concert Band, Ensemble Works, Conductor Score & Parts (LUDWIGMASTERS)
Mock Morris for Band (Simpson ed.): Concert Band, Ensemble Works, Conductor Score & Parts (LUDWIGMASTERS)
By Percy Aldridge Grainger, ed./arr. by Carl Simpson
Shipped
$85.00
Sale price $85.00Regular price
About This Collection
Description
LudwigMasters Concert Band Sheet Music spans 774 titles across grade levels 1 through 6, anchored by masterworks and accessible arrangements that work equally well for festival programming and daily rehearsal. Lincolnshire Posy by Percy Aldridge Grainger remains the most widely adopted title here, while Dan Adams's Revenge of the Dust Bunnies and Lloyd Conley's Bobsled Run prove that engaging, lower-grade concert band literature drives consistent adoption. You'll find nearly 200 contest and festival selections alongside novelties, programmatic works, and multicultural pieces that give you flexibility whether you're building an ambitious concert or filling out a developing ensemble's music folder.
Highlights
Teachers keep returning to Lincolnshire Posy by Grainger for its sophistication and durability at the advanced level. At the opposite end of the difficulty spectrum, Revenge of the Dust Bunnies by Dan Adams and Bobsled Run by Lloyd Conley consistently rank among the year's best sellers, suggesting that entertaining, accessible writing still drives program decisions. Andrew Boysen's Song for Lyndsay and Ron Nelson's Courtly Airs and Dances round out the most popular choices, offering contrasting moods and pedagogical value.
Recently added
Recent additions include Timothy Mahr's Mountain Prayers and Gene Milford's American Festival: Fanfare, Hymn, and Celebration (both published spring 2026), alongside arrangements of Lecuona's Danzas Afro-Cubanas, No. 6 and Suppé's Poet and Peasant Overture for contemporary concert band.
Composer Spotlight
Clarence E. Barber brings 51 titles to this collection, anchored by his Celebration and Ceremonial March. His prolific output across grade levels suggests a composer attuned to what band directors actually program. Gene Milford, represented by 43 titles here, channels American vernacular idiom into concert band writing; his trombone novelties and festival pieces like Mournful Maggie have found steady adoption. John Philip Sousa's 39 titles in the catalog secure his position as foundational to the concert band repertoire, with works like Overture: The Charlatan remaining teaching tools for understanding how march and overture forms function in ensemble contexts. Karl King's 23 works similarly ground this collection in early American band music traditions, offering arrangers and educators access to authentic period sound.
