Edwin F. Kalmus

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  • Norma: Act I, Scene 1, Aria (soprano, chorus): Casta Diva; Ah! bello a me ritorna (F) (excerpt) Cover Image

    Norma: Act I, Scene 1, Aria (soprano, chorus): Casta Diva; Ah! bello a me ritorna (F) (excerpt): Serious Opera, Orchestra Accompaniment, Vocal Score

    Norma: Act I, Scene 1, Aria (soprano, chorus): Casta Diva; Ah! bello a me ritorna (F) (excerpt): Serious Opera, Orchestra Accompaniment, Vocal Score

    By Vincenzo Bellini, Libretto by Felice Romani after the play Norma, or The Infantacide by Alexandre Soumet

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  • Planets, The (Op. 32/H125), No. 4: Jupiter, the Bringer of Jollity Cover Image

    Planets, The (Op. 32/H125), No. 4: Jupiter, the Bringer of Jollity: Full Orchestra, Full Score

    Planets, The (Op. 32/H125), No. 4: Jupiter, the Bringer of Jollity: Full Orchestra, Full Score

    By Gustav Holst, ed. Clinton Nieweg/ Gregory Vaught

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  • German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5) Cover Image

    German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5): Mass, Orchestra Accompaniment, Conductor Score

    German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5): Mass, Orchestra Accompaniment, Conductor Score

    By Johannes Brahms/ German libretto by the composer, after Martin Luther's translation of Biblical texts (Ps. LXXXIV: 2-3, 5)

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  • French Masters Suite Cover Image

    French Masters Suite: Concert Band Conductor Score & Parts

    French Masters Suite: Concert Band Conductor Score & Parts

    By Philip Gordon

    Grade: 3

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  • Basswood Cover Image

    Basswood: Concert Band Conductor Score & Parts

    Basswood: Concert Band Conductor Score & Parts

    By David Bennett

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  • German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5) (German) Cover Image

    German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5) (German): Mass, Orchestra Accompaniment, Chor Sc

    German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5) (German): Mass, Orchestra Accompaniment, Chor Sc

    By Johannes Brahms/ German libretto by the composer, after Martin Luther's translation of Biblical texts (Ps. LXXXIV: 2-3, 5)

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  • Three Botticelli Pictures (Botticelli Triptych): No. 2, Adoration of the Magi (L'Adorazione dei Magi) Cover Image

    Three Botticelli Pictures (Botticelli Triptych): No. 2, Adoration of the Magi (L'Adorazione dei Magi): Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

    Three Botticelli Pictures (Botticelli Triptych): No. 2, Adoration of the Magi (L'Adorazione dei Magi): Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

    By Ottorino Respighi

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  • L'Elisir d'Amore, Act II: Una furtiva lagrima (tenor) Cover Image

    L'Elisir d'Amore, Act II: Una furtiva lagrima (tenor): Full Orchestra Conductor Score

    L'Elisir d'Amore, Act II: Una furtiva lagrima (tenor): Full Orchestra Conductor Score

    By Gaetano Donizetti/ Italian Libretto by Felice Romani after Eugène Scribe

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  • Forgotten Dreams for Piano and Orchestra Cover Image

    Forgotten Dreams for Piano and Orchestra: Full Orchestra, Solo Keyboard with Ensemble, OS

    Forgotten Dreams for Piano and Orchestra: Full Orchestra, Solo Keyboard with Ensemble, OS

    By Leroy Anderson

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  • Three Songs (Drei Lieder) [collection] Cover Image

    Three Songs (Drei Lieder) [collection]: Full Orchestra, Conductor Score & Parts

    Three Songs (Drei Lieder) [collection]: Full Orchestra, Conductor Score & Parts

    By Johannes Brahms, ed./arr. by Willy Weide

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  • Turandot: Act III, Scene 1, Aria: Nessun dorma (short and extend concert endings) Cover Image

    Turandot: Act III, Scene 1, Aria: Nessun dorma (short and extend concert endings): Serious Opera, Orchestra Accompaniment, OS

    Turandot: Act III, Scene 1, Aria: Nessun dorma (short and extend concert endings): Serious Opera, Orchestra Accompaniment, OS

    By Giacomo Puccini, ed./arr. by James Barnes/ Italian libretto by Giuseppe Adami and Renato Simoni

    Grade: 4

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  • The Bluebells of Scotland (from Scottish Suite) Cover Image

    The Bluebells of Scotland (from Scottish Suite): Concert Band, Score and Parts

    The Bluebells of Scotland (from Scottish Suite): Concert Band, Score and Parts

    By Leroy Anderson

    Grade: 2

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    $45.00
  • Mass in C minor, K. 427/417a (Schmitt) Cover Image

    Mass in C minor, K. 427/417a (Schmitt): Mass, Orchestra Accompaniment, Conductor Score & Parts

    Mass in C minor, K. 427/417a (Schmitt): Mass, Orchestra Accompaniment, Conductor Score & Parts

    By Wolfgang Amadeus Mozart, ed./arr. by Alois Schmitt

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  • Pastoral Symphony (Symphony No. 3) Cover Image

    Pastoral Symphony (Symphony No. 3): Full Orchestra, Solo Voice(s) with Ensemble, Oversized Score

    Pastoral Symphony (Symphony No. 3): Full Orchestra, Solo Voice(s) with Ensemble, Oversized Score

    By Ralph Vaughan Williams

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  • Stabat Mater, P. 77 Cover Image

    Stabat Mater, P. 77: Cantata/ Oratorio, Orchestra Accompaniment, Organ Part

    Stabat Mater, P. 77: Cantata/ Oratorio, Orchestra Accompaniment, Organ Part

    By Giovanni Battista Pergolesi, ed./arr. by Gustav Schreck/ Latin text by Jacopo de Benedetti, called Jacopone da Todi. German translation by Emmy Schreck.

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  • Carmen: Act II, Flower Song: La fleur que tu m'avais jetée Cover Image

    Carmen: Act II, Flower Song: La fleur que tu m'avais jetée: Serious Opera, Orchestra Accompaniment, Full Score

    Carmen: Act II, Flower Song: La fleur que tu m'avais jetée: Serious Opera, Orchestra Accompaniment, Full Score

    By Georges Bizet, Libretto by Henri Meilhac and Ludovic Halevy; Adapted from the Novel by Prosper Merimee

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  • German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5) Cover Image

    German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5): Mass, Orchestra Accompaniment, Conductor Score & Parts

    German Requiem, A, Op. 45 (Ein Deutsches Requiem), No. 4: Wie lieblich sind deine Wohungen (How Lovely Thy Dwelling) (Ps. LXXXIV: 2-3, 5): Mass, Orchestra Accompaniment, Conductor Score & Parts

    By Johannes Brahms/ German libretto by the composer, after Martin Luther's translation of Biblical texts (Ps. LXXXIV: 2-3, 5)

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    $60.00
  • The Music Makers, Op. 69 for Contralto Solo, Chorus, and Orchestra Cover Image

    The Music Makers, Op. 69 for Contralto Solo, Chorus, and Orchestra: Cantata/ Oratorio, Orchestra Accompaniment Cantata/ Oratorio, Orchestra Accompaniment

    The Music Makers, Op. 69 for Contralto Solo, Chorus, and Orchestra: Cantata/ Oratorio, Orchestra Accompaniment Cantata/ Oratorio, Orchestra Accompaniment

    By Edward Elgar / lyr. Arthur O'Shaughnessy

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  • Christmas Oratorio, Op. 12 (Oratorio de Noel) Cover Image

    Christmas Oratorio, Op. 12 (Oratorio de Noel): Alto Part

    Christmas Oratorio, Op. 12 (Oratorio de Noel): Alto Part

    By Camille Saint-Saëns/ English text by Nathan Haskell Dole

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  • Christmas Oratorio, Op. 12 (Oratorio de Noel) Cover Image

    Christmas Oratorio, Op. 12 (Oratorio de Noel): Bass Part

    Christmas Oratorio, Op. 12 (Oratorio de Noel): Bass Part

    By Camille Saint-Saëns/ English text by Nathan Haskell Dole

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  • Wesendonck Lieder: No. 5, Traume [composer's transcription - A-flat] (Fuenf Gedichte fuer eine Frauenstimme) Cover Image

    Wesendonck Lieder: No. 5, Traume [composer's transcription - A-flat] (Fuenf Gedichte fuer eine Frauenstimme): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Wesendonck Lieder: No. 5, Traume [composer's transcription - A-flat] (Fuenf Gedichte fuer eine Frauenstimme): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Richard Wagner/ Poems by Mathilde Wesendonck

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  • Cantata No. 4: Christ lag in Todesbanden, BWV 4 (3rd version) Cover Image

    Cantata No. 4: Christ lag in Todesbanden, BWV 4 (3rd version): Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 4: Christ lag in Todesbanden, BWV 4 (3rd version): Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    By J.S. Bach, ed./arr. by Moritz Hauptmann/ German libretto by Martin Luther

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  • Cantata No. 4: Christ lag in Todesbanden, BWV 4 (3rd version) Cover Image

    Cantata No. 4: Christ lag in Todesbanden, BWV 4 (3rd version): Cantata/ Oratorio, Orchestra Accompaniment, Organ Part

    Cantata No. 4: Christ lag in Todesbanden, BWV 4 (3rd version): Cantata/ Oratorio, Orchestra Accompaniment, Organ Part

    By J.S. Bach, ed./arr. by Moritz Hauptmann/ German libretto by Martin Luther

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    $12.00
    $12.00
  • Pieces for String Octet, Op. 11: Prelude and Scherzo Cover Image

    Pieces for String Octet, Op. 11: Prelude and Scherzo: Conductor Score

    Pieces for String Octet, Op. 11: Prelude and Scherzo: Conductor Score

    By Dmitri Shostakovich / arr. Lucas Drew

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About This Collection

Description

The Edwin F. Kalmus collection contains nearly 5,000 titles drawn from the standard orchestral and choral repertoire, with particular strength in full orchestra scores and parts. Teachers and conductors rely on this catalog for canonical works by Mozart, Verdi, Debussy, and Schubert. You'll find complete scores, orchestral parts, vocal scores, and choral octavos across masterworks, operas, sacred music, and light concert fare, from Grade 2 through Grade 6 difficulty.

Highlights

Teachers keep coming back to Verdi's Nabucco, Part III: Va pensiero, which has been consistently popular for choral performance. For holiday programs, Arthur Harris's We Wish You a Merry Christmas and O Tannenbaum remain reliable standbys. Gershwin's O Land Of Mine, America and Schubert's Mass No. 2 in G round out the core titles driving adoption across school and community ensembles.

Recently added

Recent additions include the Raymonda Suite by Glazunov, Richard Hayman's When the Saints Go Marching In, and Puccini's Turandot (Alfano II Revised Completion) with vocal score. Tchaikovsky's Fatum and Strauss's Symphonia Domestica also arrived as conductor scores for orchestral programs.

Composer & Author Spotlight

Wolfgang Amadeus Mozart dominates the collection with 269 titles spanning cantatas, oratorios, and masses. His work appears frequently in school and community concerts, particularly the Messiah Part II Hallelujah arrangement. Giuseppe Verdi's 152 titles anchor the opera and choral sections, with Nabucco, Part III among the most performed excerpts in American high schools and universities. Antonín Dvorák's 142 titles include beloved works like the Serenade in E for Strings, a staple of string orchestra programs at multiple grade levels. Felix Mendelssohn's 149 titles round out the classical core, offering accessible yet substantial works for both choir and orchestra.